Maja Petrić

Works
  • Maja Petric, Specimens of Time Mykonos, 2025
    Maja Petric
    Specimens of Time Mykonos, 2025
    Generative Light Sculpture: Translucent Optical Materials, Found Objects, High-Resolution Projections, Computer with Custom AI-Driven Software, Real-Time Environmental Data
    242 x 121 cm
    95 1/4 x 47 5/8 in
  • Maja Petric, Specimens of Time: Rebirth, 2025
    Maja Petric
    Specimens of Time: Rebirth, 2025
    Performance Film: Digital Video, Light-Based Installation.

    Credits: Maja Petric (concept and art), Genna Carey (dance and video) and Jake Magraw
    (cinematography)

    Specimens of Time: Rebirth is performance film set in the future, a cryogenically preserved human reawakens into a post-natural world. The sculpture becomes a cocoon of
    memory and light, symbolizing the transmission of lost rainforest vitality into the human body.
  • Maja Petrić, Specimens of Time: Coral Triangle (Southeast Asia and the Pacific), 2025
    Maja Petrić
    Specimens of Time: Coral Triangle (Southeast Asia and the Pacific), 2025
    Generative Light Sculpture: Translucent Optical Materials, Found Objects, High-Resolution Projections, Computer with Custom AI-Driven Software, Real-Time Environmental Data, and Steel Structure

    Specimens of Time: Coral Triangle captures the vibrancy and fragility of coral reefs. As ocean temperatures rise, the sculpture is streaked with strands of intense red
    light—an unsettling signal of marine degradation and coral deterioration.
    54 × 71 × 54 cm
    21.3 × 28 × 21.3 in
  • Maja Petrić, Specimens of Time: Jungfrau (Switzerland), 2025
    Maja Petrić
    Specimens of Time: Jungfrau (Switzerland), 2025
    Generative Light Sculpture: Translucent Optical Materials, Found Objects, High-Resolution Projections, Computer with Custom AI-Driven Software, Real-Time Environmental Data, and Steel Structure

    Specimens of Time: Jungfrau evokes the alpine purity of the Swiss Alps while visualising the decline in snowfall. As temperatures rise, the sculpture’s brightness fades and its clarity dims, with emerging shades of brown mirroring the retreat of the snowpack.
    54 × 71 × 54 cm
    21.3 × 28 × 21.3 in
  • Maja Petrić, Specimens of Time: Mauna Loa (Hawaii), 2025
    Maja Petrić
    Specimens of Time: Mauna Loa (Hawaii), 2025
    Generative Light Sculpture: Translucent Optical Materials, Found Objects, High-Resolution Projections, Computer with Custom AI-Driven Software, Real-Time Environmental Data, and Steel Structure

    Specimens of Time: Mauna Loa (Hawaii) bottles the pristine clarity of Hawaiian skies, gradually shifting as air pollution increases. Vibrant reds give way to murky greens, reflecting
    the atmosphere’s growing opacity and the loss of atmospheric purity.
    54 × 63 × 54 cm
    21.3 × 24.8 × 21.3 in
  • Maja Petrić, Vespers, We The Light, 2025
    Maja Petrić
    Vespers, We The Light, 2025
    Lenticular Print, Aluminum Frame, Cleat
    80 x 117.5 x 2.5 cm
    31 1/2 x 46 1/4 x 1 in
  • Maja Petrić, Vespers: Burn, 2024
    Maja Petrić
    Vespers: Burn, 2024
    Lenticular Print, Aluminium Frame
    82.5 × 118 × 2.5 cm
    31.5 × 46.5 × 1 in
  • Maja Petrić, I the Light, 2024
    Maja Petrić
    I the Light, 2024
    Custom AI Software, Generative Algorithms, Interactive System, Participatory Composition, Etched Mirrors, Aluminium Frames, LED Lights and Depth Camera.
    210 x 110 x 12 cm
    82 5/8 x 43 1/4 x 4 3/4 in
  • Maja Petrić, Specimens of Time, Hoh Rain Forest, 2025
    Maja Petrić
    Specimens of Time, Hoh Rain Forest, 2025
    Optical Filters, Reflective Materials, Projectors, Computer, Metal Hardware, Real Time Data

    Specimens of Time: Hoh Rain Forest depicts the mist, depth, and volatility of one of the world’s oldest rainforests. Temperature fluctuations shift the sculpture’s palette from lush greens to heat-indicating oranges and reds.
    54 x 68.5 x 54 cm
    21 1/4 x 27 x 21 1/4 in
Biography

Lumen Prize-winning artist Maja Petrić masterfully combines art, technology, and real-time data to depict nature's fragility. Her sculptural installation, Specimens of Time: Hoh Rain Forest (2025), is part of the Specimens of Time series. This dynamic work takes the form of a cube that pulses with light, channeling live climate data to evoke the delicate balance of the rainforest's vanishing ecosystem. By transforming ephemeral environmental trends into a tangible visual experience, Petrić's work offers a lasting impression and a poignant reminder of the interconnected continuum we inhabit, reflecting the convergence of nature, data, and human experience.

 

Maja Petric is an acclaimed artist who creates immersive light, optics, and data sculptures. Her work preserves the atmospheres of delicate ecosystems, transforming them into profound human experiences and embedding traces of human presence across time. Since 2001, Petric has collaborated with computer scientists to design custom systems that merge computer vision, machine learning, and real-time environmental data with traditional forms, turning industrial tools into multisensory worlds of light and presence.

 

At the heart of Petrić’s practice is the reclamation of technology from its industrial applications, reshaping it into an artistic medium capable of evoking unique connections and sensations. Algorithms designed for optimization, sensors for monitoring, and data streams for commerce are subverted into poetic instruments. Instead of driving consumption, these tools are recast to preserve endangered atmospheres, translate climate change into a viscerally felt experience, and inscribe human presence as constellations of light. Through this, Petrić explores how to take ownership of technology rather than passively consuming it, demonstrating that these systems can embody values of connection and imagination when recontextualized by art.

 

Petrić's art delves into the deep connection between humanity and nature. Her work often begins with the serene beauty of natural elements like skies, forests, and coral reefs, drawing viewers in with its aesthetic appeal and the powerful recognition of our intrinsic link to the natural world.

 

However, beneath the luminous surface, Petrić's art reveals deeper truths about mortality, interdependence, climate change, and our collective responsibility. She masterfully repurposes technology to reconnect us with the living world and with each other, fostering values rooted in care, empathy, and ecological imagination, moving away from concepts of extraction and control.

 

Petrić holds a Ph.D. in Digital Arts and Experimental Media from the University of Washington and a Master's in Interactive Telecommunications from New York University. She has taught at prestigious institutions including the University of Washington and the European Institute of Design. In 2016, she launched the "Creative Lighting" graduate program at the European Institute of Design in Madrid, Spain.

 

Her work has garnered international recognition, appearing in publications such as The New York Times, BBC, Fast Company, and The Seattle Times. Petrić is a recipient of numerous esteemed awards, including the Digital Art Award for Innovation, the Lumen Prize for Art and Technology, and the Microsoft Research Award.

 

Prominent organizations like National Geographic, Meta, Google, Microsoft, and Amazon have commissioned her installations. Petrić's art has been showcased globally at venues such as Phillips Auction in London and Hong Kong, HOFA Gallery, Henry Art Gallery, and Landmark Hong Kong.