Seungwan Park

Works
  • Seungwan Park, The Line (IV), 2016
    Seungwan Park
    The Line (IV), 2016
    White and pink marble
    50 x 45 x 43 cm
    19 3/4 x 17 3/4 x 16 7/8 in
  • Seungwan Park, Coexistence - Medusa, 2022
    Seungwan Park
    Coexistence - Medusa, 2022
    White and pink marble
    80 x 45 x 40 cm
    31 1/2 x 17 3/4 x 15 3/4 in
  • Seungwan Park, Coexistence - Face of Venus, 2021
    Seungwan Park
    Coexistence - Face of Venus, 2021
    Black and white marble
    45 x 28 x 35 cm
    17 3/4 x 11 x 13 3/4 in
  • Seungwan Park, Venus de Milo, 2017
    Seungwan Park
    Venus de Milo, 2017
    White and gray marble
    80 x 25 x 22 cm
    31 1/2 x 9 7/8 x 8 5/8 in
  • Seungwan Park, The Line 3 (old man portrait)
    Seungwan Park
    The Line 3 (old man portrait)
  • Seungwan Park, Gaddi Torso, 2020
    Seungwan Park
    Gaddi Torso, 2020
    White and grey marble
    26 x 18 x 18 cm
    10 1/4 x 7 1/8 x 7 1/8 in
Biography

In his artistic practice, the artist abandons the conventional bias of carving marble from a single block. Instead, he meticulously bonds two types of marble to create a singular mass, forming a distinctive feature through the amalgamation of lines from different materials.

 

While the outward appearance of his sculptures may not markedly differ from common counterparts, the technique he employs involves a playful approach reminiscent of a 3D puzzle. The block is carved using a 3D robot, introducing a modern element to his creative process. Subsequently, he employs classical handwork to finalize the piece, allowing viewers to discern the distinct lines formed by the melded materials and the intricate cut lines of the 3D robot.

 

Motivated by the profound changes brought about by the Industrial Revolution in the mid-1700s, the artist seeks inspiration from this historical juncture that impacted the economy, society, and art.

In an effort to engage with rapidly evolving technologies and trends, he incorporates 4th industrial revolution innovations, particularly the use of a 3D robot. Simultaneously, he strives to preserve the essence of sculpture, bridging the gap between traditional craftsmanship and contemporary methodologies.

 

Born in Korea, a nation marked by an ongoing conflict despite sharing a common language, the artist draws inspiration from the division symbolized by the Korean military line—a mere geographical delineation.

Reflecting on the broader concept of division that transcends geography, the artist delves into the human inclination to establish boundaries based on individual perspectives, be it ideologies, religions, or thoughts. Acknowledging the elusive nature of eternity, he observes humanity's quest for it in self-created deities while excluding dissenting viewpoints. The inevitable confrontation with mortality serves as a reminder of the fragility and transience of human existence.

 

Quoting Josef Stalin's assertion, "In the struggle between the old and the new, the past is extinguished and only the present exists," the artist's work aims to reconcile the coexistence of past and present, navigating the delicate balance between tradition and innovation.

 

View Works

 

View Related Artists