Francisco Valverde

作品
  • Francisco Valverde, Azulaka, 2022
    Francisco Valverde
    Azulaka, 2022
    Pigmented resin on panel
    121.9 x 121.9 cm
    48 x 48 in
  • Francisco Valverde, Blubosh, 2022
    Francisco Valverde
    Blubosh, 2022
    Pigmented resin on panel
    121.9 x 121.9 cm
    48 x 48 in
  • Francisco Valverde, Nesta, 2022
    Francisco Valverde
    Nesta, 2022
    Pigmented resin on panel
    121.9 x 121.9 cm
    48 x 48 in
  • Francisco Valverde, Audra, 2022
    Francisco Valverde
    Audra, 2022
    Pigmented resin on panel
    91.4 x 139.7 cm
    36 x 55 in
  • Francisco Valverde, Thelonious, 2022
    Francisco Valverde
    Thelonious, 2022
    Pigmented resin on panel
    101.6 x 152.4 cm
    40 x 60 in
  • Francisco Valverde, Velvela, 2022
    Francisco Valverde
    Velvela, 2022
    Pigmented resin on panel
    91.4 x 139.7 cm
    36 x 55 in
  • Francisco Valverde, Aoife, 2022
    Francisco Valverde
    Aoife, 2022
    Pigmented resin on panel
    121.9 x 121.9 cm
    48 x 48 in
  • Francisco Valverde, Bethan, 2022
    Francisco Valverde
    Bethan, 2022
    Pigmented resin on panel
    121.9 x 121.9 cm
    48 x 48 in
  • Francisco Valverde, Nefeli, 2022
    Francisco Valverde
    Nefeli, 2022
    Pigmented resin and spray paint on panel
    121.9 x 121.9 cm
    48 x 48 in
  • Francisco Valverde, Skreigh, 2023
    Francisco Valverde
    Skreigh, 2023
    Pigmented resin on panel.
    121.9 x 121.9 cm
    48 x 48 in
  • Francisco Valverde, Zaydeen, 2023
    Francisco Valverde
    Zaydeen, 2023
    Pigmented resin on panel.
    121.9 x 121.9 cm
    48 x 48 in
  • Francisco Valverde, Redsauris , 2024
    Francisco Valverde
    Redsauris , 2024
    Pigmented resin on panel.
    91.4 x 91.4 cm
    36 x 36 in
传记
Francisco Valverde was born in 1972 and raised in Cuernavaca, Mexico, of a Cuban father and Mexican mother. Early in his career, he was known for his work in contemporary figurative painting. While teaching traditional techniques and large-format painting at Morelense Center for the Arts (Centro Morelense de las Artes), Francisco became inspired by his students’ search for their individual expression, which lead to his own quest for a new artistic practice.
 
Francisco began working on large canvases, using bottle dispensers filled with colourful synthetic materials instead of traditional paints and brushes. His goal was to re-create the essential element within drawing and painting: the line.
The resulting lines were imperfect and denied the traditional representative characteristic of a line, or what Francisco describes as “righteousness.” These paintings formed a rhythmic structure in which a certain order was realized. This was the start of his new direction.
Francisco’s current work utilizes plastic materials to build complexity.
These paintings utilize powerful lines with direction, suggestive backgrounds, mysterious forms, and varying depths to create a story.
Obsession and freedom are two words that Francisco uses to describe his current work: the obsession with daily routine, and the freedom he experimented with as a child drawing and scribbling on a piece of paper for the very first time. He recognizes that perhaps a certain commitment to tradition survives in the smooth finishes of his paintings. These paintings also remind the artist of the colourful, shiny candies he used to eat as a child at local fairs.
 
In 2016, Francisco was granted the XVII Bienal de Pintura Rufino Tamayo - Acquisition prize, the most prestigious art recognition in Latin America, among multiple awards recognizing his trajectory as a leading artist shaping Latin American art.
 
Permanent Collections:
Museo de Arte Contemporaneo de Oaxaca, Oaxaca, MX
Fort Wayne Museum of Art,Fort Wayne, IN
Watergate Building,Washington D.C.
Consejo para la Cultura y las Artes de Nuevo Leon (CONARTE), Monterrey, NL
Salma Hayek’s personal collection