Ilhwa Kim

作品
  • Ilhwa Kim, The Spectrum of Green, 2022
    Ilhwa Kim
    The Spectrum of Green, 2022
    Hand-dyed Hanji Paper
    119 x 93 x 13 cm
    46 7/8 x 36 5/8 x 5 1/8 in
  • Ilhwa Kim, Architectural Blue, 2022
    Ilhwa Kim
    Architectural Blue, 2022
    Hand-dyed Hanji Paper
    164 x 132 x 13 cm
    64 5/8 x 52 x 5 1/8 in
  • Ilhwa Kim, Space Sample 18
    Ilhwa Kim
    Space Sample 18
    Hand-dyed Hanji Paper
    152 x 184 x 13 cm
    59 7/8 x 72 1/2 x 5 1/8 in
  • Ilhwa Kim, Piano Song, 2021
    Ilhwa Kim
    Piano Song, 2021
    Hand-dyed Hanji Paper
    164 x 132 x 13 cm
    64 5/8 x 52 x 5 1/8 in
  • Ilhwa Kim, Seed Universe 11, 2016
    Ilhwa Kim
    Seed Universe 11, 2016
    Hand-dyed Hanji Paper
    164 x 132 x 13 cm
    64 5/8 x 52 x 5 1/8 in
  • Ilhwa Kim, Atomic Wind, 2023
    Ilhwa Kim
    Atomic Wind, 2023
    Hand-dyed Hanji Paper
    184 x 152 x 13 cm
    72 1/2 x 59 7/8 x 5 1/8 in
  • Ilhwa Kim, Low Altitude Flight, 2023
    Ilhwa Kim
    Low Altitude Flight, 2023
    Hand-dyed Hanji Paper
    192 x 224 x 13 cm
    75 5/8 x 88 1/4 x 5 1/8 in
  • Ilhwa Kim, Natural Growth, 2024
    Ilhwa Kim
    Natural Growth, 2024
    Hand-dyed Hanji Paper
    119 x 93 x 13 cm
    46 7/8 x 36 5/8 x 5 1/8 in
  • Ilhwa Kim, Tactile Interrogation, 2024
    Ilhwa Kim
    Tactile Interrogation, 2024
    Hand-dyed Hanji Paper
    164 x 132 x 13 cm
    64 5/8 x 52 x 5 1/8 in
  • Ilhwa Kim, Symbolic Growth, 2024
    Ilhwa Kim
    Symbolic Growth, 2024
    Hand-dyed Hanji Paper
    164 x 132 x 13 cm
    64 5/8 x 52 x 5 1/8 in
  • Ilhwa Kim, Natural Map, 2024
    Ilhwa Kim
    Natural Map, 2024
    Hand-dyed Hanji Paper
    119 x 93 x 13 cm
    46 7/8 x 36 5/8 x 5 1/8 in
  • Ilhwa Kim, Sonic Recording, 2024
    Ilhwa Kim
    Sonic Recording, 2024
    Hand-dyed Hanji Paper
    119 x 93 x 13 cm
    46 7/8 x 36 5/8 x 5 1/8 in
  • Ilhwa Kim, Alphabet Climber, 2024
    Ilhwa Kim
    Alphabet Climber, 2024
    Hand-dyed Hanji Paper.
    93 x 119 x 13 cm
    36 5/8 x 46 7/8 x 5 1/8 in
  • Ilhwa Kim, Calculative Flight , 2024
    Ilhwa Kim
    Calculative Flight , 2024
    Hand-dyed Hanji Paper
    132 x 164 x 13 cm
    52 x 64 5/8 x 5 1/8 in
  • Ilhwa Kim, Chronological Seeds, 2024
    Ilhwa Kim
    Chronological Seeds, 2024
    Hand-dyed Hanji Paper
    132 x 164 x 13 cm
    52 x 64 5/8 x 5 1/8 in
  • Ilhwa Kim, Material Trial, 2024
    Ilhwa Kim
    Material Trial, 2024
    Hand-dyed Hanji Paper
    187 x 244 x 13 cm
    73 5/8 x 96 x 5 1/8 in
  • Ilhwa Kim, Emotional Math, 2024
    Ilhwa Kim
    Emotional Math, 2024
    Hand-dyed Hanji Paper
    164 x 132 x 13 cm
    64 5/8 x 52 x 5 1/8 in
  • Ilhwa Kim, Beginning of the Game, 2024
    Ilhwa Kim
    Beginning of the Game, 2024
    Hand-dyed Hanji Paper.
    93 x 119 x 13 cm
    36 5/8 x 46 7/8 x 5 1/8 in
  • Ilhwa Kim, Velocity Garden, 2024
    Ilhwa Kim
    Velocity Garden, 2024
    Hand-dyed Hanji Paper.
    93 x 119 x 13 cm
    36 5/8 x 46 7/8 x 5 1/8 in
  • Ilhwa Kim, Architectural Nature, 2022
    Ilhwa Kim
    Architectural Nature, 2022
    Hand dyed hanji paper
    164 x 132 x 13 cm
    64 5/8 x 52 x 5 1/8 in
  • Ilhwa Kim, Territorial Wisdom, 2024
    Ilhwa Kim
    Territorial Wisdom, 2024
    Hand-dyed Hanji Paper
    119 x 93 x 13 cm
    46 7/8 x 36 5/8 x 5 1/8 in
  • Ilhwa Kim, Tactical Adjustment, 2024
    Ilhwa Kim
    Tactical Adjustment, 2024
    Hand-dyed Hanji Paper.
    119 x 93 x 13 cm
    46 7/8 x 36 5/8 x 5 1/8 in
  • Ilhwa Kim, Geographic Pressure, 2024
    Ilhwa Kim
    Geographic Pressure, 2024
    Hand-dyed Hanji Paper.
    93 x 119 x 13 cm
    36 5/8 x 46 7/8 x 5 1/8 in
  • Ilhwa Kim, Geographical Game, 2024
    Ilhwa Kim
    Geographical Game, 2024
    Hand-dyed Hanji Paper
    119 x 93 x 13 cm
    46 7/8 x 36 5/8 x 5 1/8 in
传记

 

Ilhwa Kim (b. 1967 in South Korea) creates works that are composed of tens of thousands of seed units. Each seed unit has a combination of straight lines and circles, which compose a tiny single universe. The materials are created personally for every single universe. The Korean artist dyes each sheet of paper by hand with thousands of different colours cutting and rolling the layers of paper to make them rigid. It gives Kim an emotional bonding to every single universe. Not a single universe has the same shape, look or colour in her work. 

 
The tactile universe pushes away the distinction between sculpture and painting; tenderly relaxed conversation goes on ceaselessly between the sculptural weight and tactile painting quality. The universe transforms dramatically from afar to close up. The sense of completion never comes as each perception betrays the previous one from moments before. Kim’s universes are free from an optimum point of view. Taking a look at the work closely, you can witness the seeds lodged tightly in the surface, pushing and pulling themselves to sprout. However, the moment you watch it from a distance, the work transforms into waves lashing out from the confines of the work.
 
lhwa Kim's mesmeric paper compositions have won her 4 major awards, including The Grand Art Prize, MANIF Seoul 1999 Excellence Award and The 16th Grand Art Exhibition of Korea. Her distinguished creative practise has been recognised by the Washington Post, Euronews and Financial Times. 
 
Notable artworks are also a permanent collections of the Sungkok Museum (Seoul), and National Museum of Modern and Contemporary Art (Seoul). Other significant exhibitions and solo shows include: ‘Seed Universe 天下圖’, Dennos Museum, MI, USA in 2016 and the artist’s solo exhibition at Seonam Museum, Seoul, 1997, "Beyond Visibility" at Gallery Hue, Singapore and "Seeds of the Universe", "Seed System", "Sensory Portrait" at the House of Fine Art Gallery, in Mayfair, London.
 
Actively acquired by museums, and present in significant collections worldwide, Kim has successfully entered the auction world achieving a groundbreaking result. Her work 'Tuner's Notes', auctioned during the 20th Century & Contemporary Art & Design Day Sale at PHILLIPS, Hong Kong, on 30th November 2022, selling three times the estimate price, setting an entirely new established benchmark for the value of her artworks, whilst transitioning into a new phase of her career.