Digital Art | Portfolio

HOFA Gallery is proud to work with a number of the most recognised and internationally renowned Digital Artists and creatives globally, which has formed a key part of the gallery’s curatorial programme and portfolio.

HOFA Gallery represents artists pioneering and shaping the Digital Art Movement, working at the very intersections of technology and art, incorporating Robotics, Artificial Intelligence, and Generative processes as part of their creative practices.

HOFA DAO

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Refik Anadol is an award-winning media artist, director, and pioneer in the aesthetics of machine intelligence and in digital art collectibles. Refik “paints” with data to create mesmerizing, large-scale digital artworks that address what it means to be a human in the age of AI, with his work occupying the intersection of art, science, and technology.

Across his 3D data sculptures and paintings, live audio/visual performances, and immersive installations, the artist takes what was once invisible to the human eye, and renders it visible. Whether that consists of buildings coming to life and disappearing into infinity, or breathtaking aesthetics that take shape from large swaths of data — Refik’s immersive environments offer a new perspective on the world, with a distinct aesthetic technique emerging out of machine intelligence.
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Yawanawa & Refik Anadol, Winds of Yawanawa - AI Data Painting - 1/1, 2023

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Artists
Sougwen Chung

Sougwen 愫君 Chung is a Chinese-Canadian artist and researcher, and is the founder and artistic director of Scilicet, a London-based studio exploring human & non-human collaboration. Chung is a former research fellow at MIT’s Media Lab and is considered a pioneer in the field of human-machine collaboration – exploring the mark-made-by-hand and the mark-made-by-machine as an approach to understanding the dynamics of humans and systems.
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Sougwen Chung, GENESIS #02, 2024

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Artists
Joseph Klibansky

Joseph Klibansky (b. 1984 in Cape Town) is a Dutch artist based in Amsterdam, Netherlands. His work examines the relationship between a thing and its essence, between what we see and what an image implies. The sense of precarious equilibrium that can be found in his recent paintings and in his sculptures reveals just how sadly dystopian an image can be that, at first glance, appears happily utopian. It thus reveals how utopia and dystopia can coexist within the same image.
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Joseph Klibansky, Tree of Life Triptych, 2024

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Artists
Random International

Established in 2005, Random International is a postdigital art group exploring the impact of technological development on the human condition. Best known for their large-scale interactive installations, the group works across an array of media including sculpture, light, kinetics, video, print, and sound. Led by founders Hannes Koch (b.1975, Germany) and Florian Ortkrass (b.1975, Germany), the group has a studio in London and comprises a global team of complementary talent.
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Random International, Studies of Tomorrow #036, 2024

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Artists
Maja Petrić

Lumen Prize-winning artist Petrić masterfully combines art, technology and real-time data to depict nature’s fragility. Her sculptural installation Specimens of Time: Hoh Rain Forest (2025) part of the Specimens of...
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Maja Petrić, I the Light, 2024

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Artists
Sasha Stiles

Sasha Stiles is a first-generation Kalmyk-American poet and language artist whose award-winning work bridges tradition and innovation through hybrid poetics, generative imagination, and collaborative intelligence. Her transmedia practice reframes poetry...
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Sasha Stiles, HEART MANTRA VARIATION 5 [GOLD], 2025
Artists
Operator

Ania Catherine (b. 1990, US) and Dejha Ti (b. 1985, US) are an artist duo whose collaborative practice, Operator, develops critical and conceptual approaches to experience. With Ti’s background as...
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Operator, Repeat as necessary #33 - A soft landing doesn’t disturb, 2025
Artists
Philipp Frank

Philipp Frank, a visionary land-light artist, and photographer from Germany, merges nature, technology, and emotion to craft immersive spaces and captivating imagery that defy conventional boundaries. His innovative creations challenge...
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Philipp Frank, Mykonos Lightcodes #07, 2025
Artists
Niceaunties

Niceaunties is an artist and designer based in Singapore. Drawing inspiration from the influential women in her family and the distinct 'auntie culture,' her work explores themes of ageing, beauty, personal freedom, and everyday life through AI art. Her life experiences and architectural training inform the conceptual basis of her pieces, while her focus on the nuanced behaviours of 'aunties' highlights the culture prevalent in Asian communities. Influenced by surrealism, fantasy, and kawaii culture, Niceaunties' art champions empowerment and self-expression.
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Niceaunties, Chapter No. 6, Fashion #0505, 2024

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Artists
Ivona Tau

Ivona Tau is an award-winning generative A.I. artist who works in the intersection of arts and technology, and is one of the most prominent artists on the digital collectible art scene — currently in the top 600 bestselling creators. Working with experimental photography and motion painting, she uses neural networks and code in an effort to evoke emotions and create universally relatable memories through AI tools. Ivona’s work has been showcased worldwide, including at Frieze London, Art Basel Miami Beach, Art Week Shenzhen, as well as on the world’s busiest crossroads in Times Square, and in Tokyo’s Shibuya. Her work, VISIONS: reflected was recently auctioned at Sotheby’s for more than 20 thousand dollars.
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Ivona Tau, Demons of the Night (in motion), 2023

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Artists
Agoria

Agoria is a French multidisciplinary artist and DJ, whose work connects technology and nature. Bringing together art, music, and science, Agoria’s focus on generative algorithms, web3, AI, and biological systems have resulted in his unique biological generative art — from depicting brain cells as mysterious and galaxy-like, to exploring how plants communicate, and the repetitions of human gestures. Agoria has collaborated with Philippe Parreno on his lauded installations at the Park Avenue Armory in New York, and in the Tate Modern’s Turbine Hall in London.
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Agoria, Agoria , 2023

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Artists
Emily Xie

Emily Xie is a visual artist and ex-software engineer. Her rich digital compositions combine her sharp creative eye and passion for art history with her deep knowledge of computer science. What's so striking about her work is just how textural it is. She brings together many different patterns and surfaces inspired by tangible forms of media like textiles, collage and embroidery. "When you're using code to mimic something that's deeply material and deeply textural, I think that's pretty fascinating," she says. And the results are transfixing. Her artworks perfectly balance opposing forces – randomness and control, structure and fluidity, abstraction and representation.
- $Emily Xie Cresting Figure, 2024 Digital Collage, Algorithmic Techniques and Textures with Javascript, Generative AI for Compositional Assets "Cresting Figure" is a mixed digital media work that explores the space between abstraction and figuration, evoking a sense of movement, transformation, and cultural memory. The piece draws heavily from the visual traditions of Chinese embroidery: ornate detail, vibrant color palettes, and intricate patterns. It reinterprets these elements through the lens of contemporary digital practice. By integrating hand collage with algorithmic generation and AI-driven tools, the work becomes a layered synthesis of the traditional and the technological. At its core, Cresting Figure reflects a dialogue between past and present. The embroidery-inspired patterns are not merely decorative; they serve as markers of cultural heritage, a practice once hand-stitched with intention and meaning. In this work, those motifs are fragmented and reassembled through digital processes. As these visual elements are recontextualized, a tension emerges—between rootedness and reinvention, tradition and transformation. Cresting Figure navigates a landscape of visual hybridity and layered histories, where inherited forms are continuously reshaped in contemporary expression. The use of AI in this piece is not intended to depersonalize the creative process, but rather to extend it—echoing the collective, often anonymous labor behind traditional textile works. The process began with the generation of a wide array of images using AI, each one containing fragments of possibilities. Bits and pieces from these images were then digitally collaged to form a new visual foundation. This composite was subsequently run through custom JavaScript algorithms, introducing further layers of transformation. Though this step was algorithmic, the process remained tightly directed—shaped to yield specific juxtapositions and patterns that deepen the composition. The digital medium opens space for reimagining texture and form, where the known is refracted into something newly strange. 6600 x 11000 pixels 53.3 x 88.9 cm 21 x 35 in$
  
  Emily Xie
  Cresting Figure, 2024
  Digital Collage, Algorithmic Techniques and Textures with Javascript, Generative AI for Compositional Assets
  
  "Cresting Figure" is a mixed digital media work that explores the space between abstraction and figuration, evoking a sense of movement, transformation, and cultural memory. The piece draws heavily from the visual traditions of Chinese embroidery: ornate detail, vibrant color palettes, and intricate patterns. It reinterprets these elements through the lens of contemporary digital practice. By integrating hand collage with algorithmic generation and AI-driven tools, the work becomes a layered synthesis of the traditional and the technological.
  
  At its core, Cresting Figure reflects a dialogue between past and present. The embroidery-inspired patterns are not merely decorative; they serve as markers of cultural heritage, a practice once hand-stitched with intention and meaning. In this work, those motifs are fragmented and reassembled through digital processes. As these visual elements are recontextualized, a tension emerges—between rootedness and reinvention, tradition and transformation. Cresting Figure navigates a landscape of visual hybridity and layered histories, where inherited forms are continuously reshaped in contemporary expression.
  
  The use of AI in this piece is not intended to depersonalize the creative process, but rather to extend it—echoing the collective, often anonymous labor behind traditional textile works. The process began with the generation of a wide array of images using AI, each one containing fragments of possibilities. Bits and pieces from these images were then digitally collaged to form a new visual foundation. This composite was subsequently run through custom JavaScript algorithms, introducing further layers of transformation. Though this step was algorithmic, the process remained tightly directed—shaped to yield specific juxtapositions and patterns that deepen the composition. The digital medium opens space for reimagining texture and form, where the known is refracted into something newly strange.
  6600 x 11000 pixels
  53.3 x 88.9 cm
  21 x 35 in
  
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  %3Cdiv%20class%3D%22artist%22%3EEmily%20Xie%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ECresting%20Figure%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2024%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EDigital%20Collage%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3EAlgorithmic%20Techniques%20and%20Textures%20with%20Javascript%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3EGenerative%20AI%20for%20Compositional%20Assets%3Cbr/%3E%0A%3Cbr/%3E%0A%22Cresting%20Figure%22%20is%20a%20mixed%20digital%20media%20work%20that%20explores%20the%20space%20between%20abstraction%20and%20figuration%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eevoking%20a%20sense%20of%20movement%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Etransformation%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eand%20cultural%20memory.%20The%20piece%20draws%20heavily%20from%20the%20visual%20traditions%20of%20Chinese%20embroidery%3A%20ornate%20detail%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Evibrant%20color%20palettes%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eand%20intricate%20patterns.%20It%20reinterprets%20these%20elements%20through%20the%20lens%20of%20contemporary%20digital%20practice.%20By%20integrating%20hand%20collage%20with%20algorithmic%20generation%20and%20AI-driven%20tools%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ethe%20work%20becomes%20a%20layered%20synthesis%20of%20the%20traditional%20and%20the%20technological.%3Cbr/%3E%0A%3Cbr/%3E%0AAt%20its%20core%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3ECresting%20Figure%20reflects%20a%20dialogue%20between%20past%20and%20present.%20The%20embroidery-inspired%20patterns%20are%20not%20merely%20decorative%3B%20they%20serve%20as%20markers%20of%20cultural%20heritage%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ea%20practice%20once%20hand-stitched%20with%20intention%20and%20meaning.%20In%20this%20work%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ethose%20motifs%20are%20fragmented%20and%20reassembled%20through%20digital%20processes.%20As%20these%20visual%20elements%20are%20recontextualized%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ea%20tension%20emerges%E2%80%94between%20rootedness%20and%20reinvention%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Etradition%20and%20transformation.%20Cresting%20Figure%20navigates%20a%20landscape%20of%20visual%20hybridity%20and%20layered%20histories%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ewhere%20inherited%20forms%20are%20continuously%20reshaped%20in%20contemporary%20expression.%3Cbr/%3E%0A%3Cbr/%3E%0AThe%20use%20of%20AI%20in%20this%20piece%20is%20not%20intended%20to%20depersonalize%20the%20creative%20process%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ebut%20rather%20to%20extend%20it%E2%80%94echoing%20the%20collective%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eoften%20anonymous%20labor%20behind%20traditional%20textile%20works.%20The%20process%20began%20with%20the%20generation%20of%20a%20wide%20array%20of%20images%20using%20AI%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eeach%20one%20containing%20%20fragments%20of%20possibilities.%20Bits%20and%20pieces%20from%20these%20images%20were%20then%20digitally%20collaged%20to%20form%20a%20new%20visual%20foundation.%20This%20composite%20was%20subsequently%20run%20through%20custom%20JavaScript%20algorithms%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eintroducing%20further%20layers%20of%20transformation.%20%20Though%20this%20step%20was%20algorithmic%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ethe%20process%20remained%20tightly%20directed%E2%80%94shaped%20to%20yield%20specific%20juxtapositions%20and%20patterns%20that%20deepen%20the%20composition.%20The%20digital%20medium%20opens%20space%20for%20reimagining%20texture%20and%20form%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ewhere%20the%20known%20is%20refracted%20into%20something%20newly%20strange.%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E6600%20x%2011000%20pixels%3Cbr/%3E%0A53.3%20x%2088.9%20cm%3Cbr/%3E%0A21%20x%2035%20in%3C/div%3E
- Emily Xie
  Spiral Forms, 2024
  Mixed Digital Media: Collaged AI Assets Combined with Algorithmic Textures and Techniques in Javascript
  6400 x 9000 pixels
  NFT & Print
  Edition of 1
  Framed: 109 x 79 cm
  42 7/8 x 31 1/8 in
  
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Artists
Max Patté

At its core, Max Patté’s practice is an exploration of the infinite qualities of light and how it is expressed in the natural world manifested into physical works in the studio utilising the technologies he has at his fingertips. Advances in modern technologies are a constant source of inspiration to the production of Patté’s work. The latest developments in an array of computer programs, iPad apps, CNC Milling, digital scanning and 3D printing are all employed on a day to day basis in his studio.
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Max Patté, CLUSTER #010, 2021

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Artists
Jason Sims

Jason Sims is an Australian artist who works in the realm of perceptual art. Using the properties of light and reflection, he creates simple illusions of space in the form...
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Jason Sims, Structural Nature, 2023

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Artists
Owen McAteer

Owen McAteer (born 1986) is a Northern Irish visual artist based in Madrid. A generative artist & creative coder his work revolves around algorithms and mathematics to discover the hidden beauty in numbers. He graduated from Ulster University with a 1st Class Honours Degree in Multimedia Computer Art & Design. He then worked in Dublin, London and Madrid with digital design agencies before beginning his art practice. Using code as a medium his work bridges the digital & physical worlds, revealing the universal language of mathematics in a visual and often interactive output.
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Owen McAteer, Seiche, 2024

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Artists
Jesse Woolston

New Zealand Multi-media Artist & Composer, Jesse Woolston creates under the alias, Koronis. The outlet ranges from experimental electronic music combined with modern classical compositions, technology driven art and performance.

Jesse recently unveiled a global collaboration with DIOR. An international installation series of boutique, site specific, and special projects where performance and physics come together, shedding light on the Dior legacy and Kim Jones’ Dior Summer 2023 men’s collection.
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Jesse Woolston, The Genesis Chaos, 2023

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Related Art Talks:

Krista is a digital artist, founder of Techism and Cultural Leader for the World Economic Forum (WEF) whose work explores the concept of digital consciousness. Krista works in both digital and physical realms with a keen focus on combining technology and art to use a tool for human wellbeing and healing.
We spoke to Refik Anadol and Chief Nixiwaka Yawanawa ahead of the unveiling of their Web3 collaboration - Winds of Yawanawa - at Scorpios Mykonos.
DIGITAL ART EXHIBITIONS HISTORY

Exhibitions
Matter and Form | Group Exhibition and NFT Exhibition
London 29 April - 29 May 2021
HOFA is making history with their Matter & Form group show. The show is the first of its kind showcasing both traditional form and NFT artworks from some of the...
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Exhibitions
Portrait of an Era | NFT Exhibition
LONDON 23 September - 7 October 2021
This hybrid art exhibition 'Portrait of an Era ', estimated to be worth in excess of $64 million, will showcase some of the world’s rarest digital NFT creations alongside cutting-edge...
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Exhibitions
Beyond The Screen | Digital Art Exhibition
London 5 - 26 May 2023
Beyond The Screen HOFA and Kreation are proud to present 'Beyond the Screen', an immersive exhibition featuring nine boundary-pushing works of renowned and emerging AI and digital artists. The exhibition...
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Exhibitions
New Beginnings | Digital Art Exhibition
London 11 April - 1 May 2024
HOFA Gallery and Fellowship AI platform daily.xyz announce the launch of 'New Beginnings', a pioneering London exhibition that documents the evolution of AI artistry, weaving together the realities of AI,...
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Digital Art Awards 2026

Following a successful inaugural year in London, the Digital Art Awards return in partnership with Phillips during Art Basel Hong Kong week.

Celebrating artists working at the forefront of digital, computational, and blockchain-based practices, the awards bring together artists, collectors, curators, and cultural leaders shaping the future of contemporary art.

Global visibility. International jury.

Phillips Hong Kong
24 March 2026

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