PHILLIPSX | SPACES

Acrylic on Canvas, Created with D.O.U.G._6 AI Robot

UV print on Trulife Plexi, mounted on Dibond.

Krista Kim’s digital gradient works are meditative expressions of the intersection between art and technology, offering a Zen experience to counterbalance the negative effects of digital media on mental health. Inspired by her time living in Japan and the practice of meditation, Krista uses screens—often seen as sources of anxiety and overstimulation—to create serene, calming environments. These gradients are abstract reductions of color and light emitted from screens, designed to quiet the mind and foster inner peace.
Krista’s gradients are more than just visual meditations; they are symbols of the fluidity and constant transformation of our culture in the digital age, as outlined in her Techism manifesto. Through this philosophy, she believes that art, when paired with technology, can heal and recalibrate our mental states. Since 2012, Krista has been capturing digital images of LED lights and manipulating them with software to create these immersive pieces. Her work embodies a vision for a more harmonious coexistence with technology, transforming it into a tool for mental wellness and cultural reflection.

A collection of 1000 unique digitally painted fine art prints with a matching digital companion, each with its own set of unique traits, ensuring that every artwork is truly one-of-a-kind.
Includes a unique signed print from Tree of Life with a unique digital companion 1/1 and an edition of 1000 HD animation. Combining visual art and environmental awareness, for every artwork sold, together with the partnering non-profit One Tree Planted, the artist will plant 10 physical trees in the Amazon Rainforest.
Giclée print on archival cotton paper. Hand Embellished.

Post digital art group Random International experiments with the human, emotional response to the encounter with artificial intelligence in this new, multifaceted body of work. Exploring different properties of the intelligence and how it can be viewed by the human eye, the collection spans three categories: ‘Mass’, ‘Spectrum’ and ‘Dimension’.

Winds of Yawanawa is a collection of 1000 unique Data Paintings that harness weather data from the tribe’s village in the Amazon rainforest including wind speed, gusts, direction and temperature. This data then merges with the works of young Yawanawa artists, resulting in a mesmerising play of traditional shapes and colours of data pigmentation.
The Winds of Yawanawa collection will bring the nuances of Yawanawa art to the digital world with the aim of preserving their rich culture.
Each NFT Data Painting from the YAWANAWA collection of 1000 is a Unique Generative Ai MP4 video | 60 second loop with soundtrack

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Format: Unique Generative Ai MP4 video | 60 second loop with soundtrack

Offered with Signed Archival Physical Print (44 x 22 inches)

2. *Reflective Journey Photo: A photograph or series of photographs that complement the VR experience, capturing moments of introspection and narrative stillness. These can be displayed on the gallery walls, offering a more traditional yet profound engagement with the work.

1. *Reflective Journey VR: An immersive virtual reality experience, viewable by visitors using VR goggles. This project invites viewers to engage deeply with the themes of reflection and self-discovery in a fully immersive environment.

3. *Reflective Journey Video: A video installation that will be displayed on a TV screen or a large projection, accompanied by sound. This piece extends the themes explored in the VR and photographic elements, providing a dynamic, auditory, and visual exploration of the journey.

Book 1/1
Two editions of Book Sculptures currently exist: The Wish and Another Airport Poem. The Wish is from Caballero’s prize-winning book Mammal and was originally published by the South Dakota Review. It was exhibited at the Lumen Prize-shortlisted exhibition Poème SBJKT in Paris. Another Airport Poem was exhibited at MedSeArt in Menorca.

Collectors of Book Sculptures also receive an MP4 of a single page of the book endlessly turning while Caballero reads the poem, accentuating the artist’s expansion of the ways poetry can be experienced, exhibited and transacted in the digital age.