PhillipsX | SPACES: in partnership with HOFA Gallery

3 - 10 OCT

PHILLIPSX - SPACES | Digital Innovation Meets Contemporary Art
Exhibition Highlights
- LOCATION
  
  Phillips London
  30 Berkeley Square
  London W1J 6EX (map)
- VIEWING
  
  3–10 October 2024
  Monday–Saturday
  10am–6pm
- CONTACT
  
  Miety Heiden
  Head of Private Sales
  mheiden@phillips.com
Artworks
PhillipsX is pleased to present SPACES in partnership with HOFA

Marking the inaugural exhibition in HOFA’s new curated digital realities series; which brings together leading voices in the intersection of technology and art. This exhibition will showcase 10 works by eight global visionaries blending digital innovation with artistic expression: Sougwen Chung, Emily Xie, Refik Anadol, Krista Kim, Ana María Caballero, Shirin Abedinirad, Random International and Joseph Klibansky.

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Artworks
SPACES is a visionary series of immersive exhibitions

Exploring the profound challenges and possibilities presented by computing technologies and their impact on humanity. The first edition with PhillipsX will feature a curation of contemporary artworks integrating digital techniques with tangible media, as well as digital works that challenge conventional perceptions of art, inviting viewers to reconsider the boundaries between the digital and physical realms.

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Artworks

“HOFA is honoured to present SPACES with Phillips. This series explores the evolving interplay between digital technology and contemporary art, showcasing how artists are integrating AI and digital techniques into their work. SPACES highlights the transformative impact of these technologies on art forms and reveals new possibilities for creative expression.”

Elio D’Anna, curator and co-founder of HOFA Gallery

Enquire

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- Krista Kim
  Triptych, 2018
  UV print on Trulife Plexi, mounted on Dibond.
  
  Krista Kim’s digital gradient works are meditative expressions of the intersection between art and technology, offering a Zen experience to counterbalance the negative effects of digital media on mental health. Inspired by her time living in Japan and the practice of meditation, Krista uses screens—often seen as sources of anxiety and overstimulation—to create serene, calming environments. These gradients are abstract reductions of color and light emitted from screens, designed to quiet the mind and foster inner peace.
  Krista’s gradients are more than just visual meditations; they are symbols of the fluidity and constant transformation of our culture in the digital age, as outlined in her Techism manifesto. Through this philosophy, she believes that art, when paired with technology, can heal and recalibrate our mental states. Since 2012, Krista has been capturing digital images of LED lights and manipulating them with software to create these immersive pieces. Her work embodies a vision for a more harmonious coexistence with technology, transforming it into a tool for mental wellness and cultural reflection.
  
  43.2 x 58.4 cm
  17 x 23 in
  
  Enquire
  
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- Shirin Abedinirad
  Reflective Journey, 2024
  *Reflective Journey VR: An immersive virtual reality experience, viewable by visitors using VR goggles. This project invites viewers to engage deeply with the themes of reflection and self-discovery in a fully immersive environment.
  Virtual Land Art +
  NFT
  (Unique Work)
  
  Enquire
  
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- Joseph Klibansky
  Tree of Life Triptych, 2024
  A collection of 1000 unique digitally painted fine art prints with a matching digital companion, each with its own set of unique traits, ensuring that every artwork is truly one-of-a-kind.
  
  Includes a unique signed print from Tree of Life with a unique digital companion 1/1 and an edition of 1000 HD animation. Combining visual art and environmental awareness, for every artwork sold, together with the partnering non-profit One Tree Planted, the artist will plant 10 physical trees in the Amazon Rainforest.
  
  Joseph Klibansky, a contemporary artist known for pushing the boundaries of digital art, is making waves with his groundbreaking "Tree of Life" series. In this new direction, Klibansky integrates real-world data to dynamically grow digital trees, symbolizing the intersection of nature and technology. With millions of global fans following his work on social media, Klibansky has amassed a vast and passionate audience that eagerly engages with his thought-provoking and innovative creations. This series marks a significant evolution in his artistic journey, blending aesthetics with cutting-edge digital techniques.
  61 x 81 cm
  24 x 31 7/8 in
  
  Enquire
  
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- Shirin Abedinirad
  Reflective Journey, 2023
  *Reflective Journey Photo: A photograph or series of photographs that complement the VR experience, capturing moments of introspection and narrative stillness. These can be displayed on the gallery walls, offering a more traditional yet profound engagement with the work.
  60 x 91 cm
  23 5/8 x 35 7/8 in
  (Ed 1/5)
  
  Enquire
  
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- Random International
  Study of Tomorrow Triptych, 2024
  Post digital art group Random International experiments with the human, emotional response to the encounter with artificial intelligence in this new, multifaceted body of work. Exploring different properties of the intelligence and how it can be viewed by the human eye, the collection spans three categories: ‘Mass’, ‘Spectrum’ and ‘Dimension’.
  Signed Giclée Prints Edition of 150, Pigment on 100% Archival Cotton, including 3 Unique Generative Animations (60 seconds long) from an exclusive collection of 450
  Each: 42 x 60 cm
  16 1/2 x 23 5/8 in
  
  Enquire
  
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- Sougwen Chung
  Spectral - Oscillation 1, 2024
  Acrylic on Perspex, Created with D.O.U.G._5, Bespoke Robotic System
  152.5 x 152.5 cm
  60 x 60 in
  
  Enquire
  
  %3Cdiv%20class%3D%22artist%22%3ESougwen%20Chung%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ESpectral%20%20-%20Oscillation%201%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2024%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EAcrylic%20on%20Perspex%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3ECreated%20with%20D.O.U.G._5%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3EBespoke%20Robotic%20System%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E152.5%20x%20152.5%20cm%3Cbr/%3E%0A60%20x%2060%20in%3C/div%3E
- Emily Xie
  Cresting Figure, 2024
  Digital Collage, Algorithmic Techniques and Textures with Javascript, Generative AI for Compositional Assets
  
  Cresting Figure is a mixed digital media work presenting an evocative form that gracefully inhabits the space between abstraction and figuration. Inspired by traditional Chinese embroidery, Xie employs rich textures and intricate patterns to evoke cultural heritage. Through the use of hand collage, algorithms, and AI, the piece bridges the traditional and the modern by reimagining ancient techniques within a contemporary framework.
  6600 x 11000 pixels
  53.3 x 88.9 cm
  21 x 35 in
  
  Enquire
  
  %3Cdiv%20class%3D%22artist%22%3EEmily%20Xie%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ECresting%20Figure%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2024%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EDigital%20Collage%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3EAlgorithmic%20Techniques%20and%20Textures%20with%20Javascript%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3EGenerative%20AI%20for%20Compositional%20Assets%3Cbr/%3E%0A%3Cbr/%3E%0ACresting%20Figure%20is%20a%20mixed%20digital%20media%20work%20presenting%20an%20evocative%20form%20that%20gracefully%20inhabits%20the%20space%20between%20abstraction%20and%20figuration.%20Inspired%20by%20traditional%20Chinese%20embroidery%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3EXie%20employs%20rich%20textures%20and%20intricate%20patterns%20to%20evoke%20cultural%20heritage.%20Through%20the%20use%20of%20hand%20collage%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ealgorithms%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eand%20AI%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ethe%20piece%20bridges%20the%20traditional%20and%20the%20modern%20by%20reimagining%20ancient%20techniques%20within%20a%20contemporary%20framework.%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E6600%20x%2011000%20pixels%3Cbr/%3E%0A53.3%20x%2088.9%20cm%3Cbr/%3E%0A21%20x%2035%20in%3C/div%3E
- Ana Maria Caballero
  Milk, 2023
  Book 1/1
  
  Ana María Caballero’s Book Sculptures question how society values poetry and propose the book as a sculptural object.
  
  Milk, the third volume from this eight-part series, exists as a single edition and contains one eponymous poem printed 197 times in its pages. When taken as integers, the digits in 197 add up eventually to 8, a number that represents abundance.
  
  As with the other tomes in Caballero’s Book Sculptures, Milk has a unique ISBN and the anatomy and structure of a traditional book.
  
  Caballero is deeply interested in exploring new ways to transact poetry. When objects are transacted, they are exchanged, shared, given, received. Value is assigned.
  
  Sometimes verse is considered to be immaterial, but nothing is more material than the artworks, verses, memories that enter our minds as we wait in line, sit in traffic, boil eggs. Nothing is more material than what makes us tick.
  
  Caballero’s Book Sculptures celebrate the materiality of poetry and the renewed cultural agency afforded to verse via blockchain provenance.
  
  The collector of the physical 1/1 book also receives a 1/1 video work of a single page of the book endlessly turning while Caballero reads the poem, accentuating the artist’s expansion of the ways poetry can be experienced, exhibited and transacted in the digital age.
  
  Milk is the recipient of a 2024 Christopher F. Kelly Academy of American Poets Prize and was also published by the Academy of American Poets Magazine, one of the most prestigious literary publications of our time. It forms part of Caballero’s prize-winning book MAMMAL.
  16 x 24 x 2.5 cm
  6 1/4 x 9 1/2 x 1 in
  
  Enquire
  
  %3Cdiv%20class%3D%22artist%22%3EAna%20Maria%20Caballero%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EMilk%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2023%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EBook%201/1%3Cbr/%3E%0A%3Cbr/%3E%0AAna%20Mar%C3%ADa%20Caballero%E2%80%99s%20Book%20Sculptures%20question%20how%20society%20values%20poetry%20and%20propose%20the%20book%20as%20a%20sculptural%20object.%20%20%3Cbr/%3E%0A%3Cbr/%3E%0AMilk%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ethe%20third%20volume%20from%20this%20eight-part%20series%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eexists%20as%20a%20single%20edition%20and%20contains%20one%20eponymous%20poem%20printed%20197%20times%20in%20its%20pages.%20When%20taken%20as%20integers%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ethe%20digits%20in%20197%20add%20up%20eventually%20to%208%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ea%20number%20that%20represents%20abundance.%20%3Cbr/%3E%0A%3Cbr/%3E%0AAs%20with%20the%20other%20tomes%20in%20Caballero%E2%80%99s%20Book%20Sculptures%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3EMilk%20has%20a%20unique%20ISBN%20and%20the%20anatomy%20and%20structure%20of%20a%20traditional%20book.%20%20%3Cbr/%3E%0A%3Cbr/%3E%0ACaballero%20is%20deeply%20interested%20in%20exploring%20new%20ways%20to%20transact%20poetry.%20When%20objects%20are%20transacted%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ethey%20are%20exchanged%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eshared%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Egiven%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ereceived.%20Value%20is%20assigned.%20%3Cbr/%3E%0A%3Cbr/%3E%0ASometimes%20verse%20is%20considered%20to%20be%20immaterial%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ebut%20nothing%20is%20more%20material%20than%20the%20artworks%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Everses%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ememories%20that%20enter%20our%20minds%20as%20we%20wait%20in%20line%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Esit%20in%20traffic%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eboil%20eggs.%20Nothing%20is%20more%20material%20than%20what%20makes%20us%20tick.%20%3Cbr/%3E%0A%3Cbr/%3E%0ACaballero%E2%80%99s%20Book%20Sculptures%20celebrate%20the%20materiality%20of%20poetry%20and%20the%20renewed%20cultural%20agency%20afforded%20to%20verse%20via%20blockchain%20provenance.%20%3Cbr/%3E%0A%3Cbr/%3E%0AThe%20collector%20of%20the%20physical%201/1%20book%20also%20receives%20a%201/1%20video%20work%20of%20a%20single%20page%20of%20the%20book%20endlessly%20turning%20while%20Caballero%20reads%20the%20poem%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eaccentuating%20the%20artist%E2%80%99s%20expansion%20of%20the%20ways%20poetry%20can%20be%20experienced%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eexhibited%20and%20transacted%20in%20the%20digital%20age.%3Cbr/%3E%0A%3Cbr/%3E%0AMilk%20is%20the%20recipient%20of%20a%202024%20Christopher%20F.%20Kelly%20Academy%20of%20American%20Poets%20Prize%20and%20was%20also%20published%20by%20the%20Academy%20of%20American%20Poets%20Magazine%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eone%20of%20the%20most%20prestigious%20literary%20publications%20of%20our%20time.%20It%20forms%20part%20of%20Caballero%E2%80%99s%20prize-winning%20book%20MAMMAL.%20%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E16%20x%2024%20x%202.5%20cm%3Cbr/%3E%0A6%201/4%20x%209%201/2%20x%201%20in%3C/div%3E
- Yawanawa & Refik Anadol
  Winds of Yawanawa #888, 2023
  Winds of Yawanawa is a collection of 1000 unique Data Paintings that harness weather data from the tribe’s village in the Amazon rainforest including wind speed, gusts, direction and temperature. This data then merges with the works of young Yawanawa artists, resulting in a mesmerising play of traditional shapes and colours of data pigmentation.
  The Winds of Yawanawa collection will bring the nuances of Yawanawa art to the digital world with the aim of preserving their rich culture.
  Each NFT Data Painting from the YAWANAWA collection of 1000 is a Unique Generative Ai MP4 video | 60 second loop with soundtrack Including unique signed archival print
  
  Enquire
  
  %3Cdiv%20class%3D%22artist%22%3EYawanawa%20%26%20Refik%20Anadol%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EWinds%20of%20Yawanawa%20%23888%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2023%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EWinds%20of%20Yawanawa%20is%20a%20collection%20of%201000%20unique%20Data%20Paintings%20that%20harness%20weather%20data%20from%20the%20tribe%E2%80%99s%20village%20in%20the%20Amazon%20rainforest%20including%20wind%20speed%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Egusts%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Edirection%20and%20temperature.%20This%20data%20then%20merges%20with%20the%20works%20of%20young%20Yawanawa%20artists%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eresulting%20in%20a%20mesmerising%20play%20of%20traditional%20shapes%20and%20colours%20of%20data%20pigmentation.%3Cbr/%3E%0AThe%20Winds%20of%20Yawanawa%20collection%20will%20bring%20the%20nuances%20of%20Yawanawa%20art%20to%20the%20digital%20world%20with%20the%20aim%20of%20preserving%20their%20rich%20culture.%3Cbr/%3E%0AEach%20NFT%20Data%20Painting%20from%20the%20YAWANAWA%20collection%20of%201000%20is%20a%20Unique%20Generative%20Ai%20MP4%20video%20%7C%2060%20second%20loop%20with%20soundtrack%20Including%20unique%20signed%20archival%20print%3C/div%3E

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PhillipsX | SPACES: in partnership with HOFA Gallery

PHILLIPSX - SPACES | Digital Innovation Meets Contemporary Art

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