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Fabio VialeKouros, 2016White marble with pigment80 x 54 x 31 cm
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Darian MederosGirl on Couch, 2020Oil on canvas152 x 122 cm
59 7/8 x 48 1/8 in -
Darian Mederos, Embracing Doubt, 2020
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Dean Fox, Green, 2020
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Dean Fox, Raising Eden, 2020
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Florian EymannPortrait 240 919, 2020Oil on canvas47 x 40 cm
18 1/2 x 15 3/4 in -
Florian EymannVersailles, Portrait ‘Madame’, 2020Oil on canvas100 x 70 cm
39 3/8 x 27 1/2 in -
Florian EymannPortrait 141 018, 2020Oil on canvas29 x 35.5 cm
11 3/8 x 14 in -
Florian EymannVersailles, Portrait ‘Monsieur’, 2020Oil on canvas100 x 70 cm
39 3/8 x 27 1/2 in
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THROUGH THIS EXHIBITION THE VIEWERS CAN EXPLORE CONSTRUCTED REALITIES OF EXHIBITED ARTWORKS IN WHICH MYTHIC ICONS ARE DEFTLY REFERENCED, DECONSTRUCTED, AND REIMAGINED.
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Amongst some of the newest faces in Myth-Making, HOFA presents Fabio Viale, who uses classic and iconic references which have been eternalised in time and mythology only to displace and fracture them. In Kouros, Viale imitates a tattooing process rather than simply painting on to the marble, a decision which endows the works with overwhelming realism. By distorting universal iconography, the artist challenges existing preconceptions and contemporary social norms.
Consumed by dark desaturated colour pallets, Dean Fox’s haunting paintings explore the grandeur and complexity of classical themes in art and reinvent them in the contemporary. Erasure and minimalism interplays with familiar narratives here. Fox, heavily inspired by the old masters finds a way to balance the classic beauty of form with crushing abstraction of the contemporary. Rewriting myths and legends of the past in unifying hues he brings out the beauty in the sinister and disturbing.
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Katya Zvereva, Mother, 2020
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Katya ZverevaBrother, 2020Woodcut engraving, ink on cotton121 x 182 cm
47 5/8 x 71 5/8 in -
Katya ZverevaOrder, 2020Woodcut engraving, ink on cotton157.5 x 109.2 cm
62 x 43 in -
Romina Ressia, Pink Dog Balloon, 2018
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Romina Ressia, Pink Portrait of a Girl Wearing a Balaclava, 2020
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Romina Ressia, Crown, 2015
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For Ilhwa Kim, it is with traditional Korean Hanji paper, painstakingly rolled and dyed, that she conjures multi-dimensional seed universes that awaken the senses to the narrative dynamics of spatio-temporal perspective.
ILHWA KIM IN MYTH-MAKING
Ilhwa Kim is represented here by the ever evolving Hanji paper works, a material which also has a powerful connection to her roots and the Korean history. Kim however takes on the active stance on innovation and relinquishing connection to tradition. Her practice is a pursuit of innovation through constantly evolving manipulations of the familiar. The artist’s works appear tactile as opposed to merely visual, inviting the viewer to explore the ripples and voluptuous waves of her ever changing structures. Here the viewer is left to reflect on the vast network of seeds and the bridge that Kim establishes between the past and present.
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Zhuang Hong Yi, Northern Lights, 2019
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Zhuang Hong Yi, Winter Winds, 2019
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Zhuang Hong Yi, Autumn Mist, 2019
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Ilhwa Kim, White Portrait 35, 2020
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Ilhwa Kim, White Portrait 34, 2020
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Ilhwa Kim, Space Sample 36, 2020
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Ilhwa Kim, Space Sample 37, 2020
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Ilhwa Kim, Seed Universe 105, 2019
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Wang Ziling, Whispers of Nobody, 2020
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Wang Ziling, Traces of remembered lands, 2019
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Max PattéUnconscious, 2017Automotive paints, clear cast acrylic, epoxy res- in, clear coat, custom board, 2 way glass, mirror, LEDs, 24v power supply, electrical cable, 240v plug. Micro controller.Diameter 112 x 7.2 cmLimited Edition of 3
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Anthony JamesPortal Icosahedron, 2019Steel, glass, LED lights.height 100 cm
height 39 3/8 in
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THE VIEWER TO INTERPRET THE WORKS GENERATING NEW MYTH STRENGTHENED THROUGH ITERATION
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Myth-Making creates a space of interrogation to explore the constructed realities of individual artists unified by the influence of myth in the exhibition. Through defining their heritage, uncovering mythological archetypes, engaging in social commentary or constructing utopian visions, the artists create a new artificial language. Ultimately the exhibition becomes responsible for viewer to interpret the works for themselves, generating new myth strengthened through iteration.
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Max PattéDroplet #001, 2020Plexiglass, epoxy resin, Resene house paints, eu-
ropean beech, MDF, aluminium, 2k paint.179 x 123 x 6 cm
70 1/2 x 48 3/8 x 2 3/8 in
62 kg -
Max PattéDroplet #002, 2020Plexiglass, epoxy resin, Resene house paints, european beech, MDF, aluminium, 2k paint.170 x 126 x 6 cm
66 7/8 x 49 5/8 x 2 3/8 in
62 kg -
Max PattéDroplet #003, 2020Plexiglass, epoxy resin, Resene house paints, european beech, MDF, aluminium, 2k paint.170 x 129 x 6 cm
66 7/8 x 50 3/4 x 2 3/8 in
62 kg
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MYTH-MAKING: + VR & Metaverse
Past viewing_room