Digital Art Awards Private Sale Exhibition

25 - 28 March

- Operator
  Generative Choreography Method, 2025
  Painting (acrylic on canvas), performance artefact, NFT certificate
  175 x 240 cm
  68 7/8 x 94 1/2 in
  
  Operator's Generative Choreography Method is the technical backbone of Human Unreadable which makes choreography collectable. The hand drawn method is on view whenever Human Unreadable is exhibited (thus far Basel, Seoul, Miami, Geneva). At Art Basel Hong Kong, Dejha Ti painted the method on a large scale canvas that contains graphic and textured acrylic paint. This piece will be used as a visual centerpiece of the performance, added to on stage, and signed afterwards. For the first time, this method painting is offered as a collectable artwork/performance artefact. Post-performance the canvas is stretched on a wooden frame.
  
  Enquire
  
  %3Cdiv%20class%3D%22artist%22%3EOperator%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EGenerative%20Choreography%20Method%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2025%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EPainting%20%28acrylic%20on%20canvas%29%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eperformance%20artefact%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3ENFT%20certificate%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E175%20x%20240%20cm%3Cbr/%3E%0A68%207/8%20x%2094%201/2%20in%3Cbr/%3E%0A%3Cbr/%3E%0AOperator%27s%20Generative%20Choreography%20Method%20is%20the%20technical%20backbone%20of%20Human%20Unreadable%20which%20makes%20choreography%20collectable.%20The%20hand%20drawn%20method%20is%20on%20view%20whenever%20Human%20Unreadable%20is%20exhibited%20%28thus%20far%20Basel%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3ESeoul%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3EMiami%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3EGeneva%29.%20At%20Art%20Basel%20Hong%20Kong%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3EDejha%20Ti%20painted%20the%20method%20on%20a%20large%20scale%20canvas%20that%20contains%20graphic%20and%20textured%20acrylic%20paint.%20This%20piece%20will%20be%20used%20as%20a%20visual%20centerpiece%20of%20the%20performance%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eadded%20to%20on%20stage%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eand%20signed%20afterwards.%20For%20the%20first%20time%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ethis%20method%20painting%20is%20offered%20as%20a%20collectable%20artwork/performance%20artefact.%20Post-performance%20the%20canvas%20is%20stretched%20on%20a%20wooden%20frame.%3C/div%3E
- Sarah Meyohas
  Untitled, 2025
  Pastel on paper
  132.1 x 96.5 cm
  52 x 38 in
  
  Enquire
  
  %3Cdiv%20class%3D%22artist%22%3ESarah%20Meyohas%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EUntitled%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2025%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EPastel%20on%20paper%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E132.1%20x%2096.5%20cm%3Cbr/%3E%0A52%20x%2038%20in%3C/div%3E
- Mia Forrest
  Orchids, 2026
  5 original 1/1 brass plates, housed in bespoke linen box
  Each limited edition box includes 1 brass plate and its accompanying embossed edition.
  
  Edition Information:
  Brass plates are 1/1
  Blind Embossed Works on Paper are 1/25 + 2 AP (Somerset Satin White 300gsm)
  Brass Plate | 20cm (W) x 30cm (H) x 0.63cm(D)
  Blind Embossing [Work on Paper] | 25cm (W) x 35cm (H)
  Box | 27.5cm (W) x 37.5cm (H) x 3cm (D)
  
  Enquire
  
  %3Cdiv%20class%3D%22artist%22%3EMia%20Forrest%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EOrchids%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2026%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3E5%20original%201/1%20brass%20plates%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ehoused%20in%20bespoke%20linen%20box%3Cbr/%3E%0AEach%20limited%20edition%20box%20includes%201%20brass%20plate%20and%20its%20accompanying%20embossed%20edition.%3Cbr/%3E%0A%3Cbr/%3E%0AEdition%20Information%3A%3Cbr/%3E%0ABrass%20plates%20are%201/1%3Cbr/%3E%0ABlind%20Embossed%20Works%20on%20Paper%20are%201/25%20%2B%202%20AP%20%28Somerset%20Satin%20White%20300gsm%29%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3EBrass%20Plate%20%7C%2020cm%20%28W%29%20x%2030cm%20%28H%29%20x%200.63cm%28D%29%3Cbr/%3E%0ABlind%20Embossing%20%5BWork%20on%20Paper%5D%20%7C%2025cm%20%28W%29%20x%2035cm%20%28H%29%3Cbr/%3E%0ABox%20%7C%2027.5cm%20%28W%29%20x%2037.5cm%20%28H%29%20x%203cm%20%28D%29%3C/div%3E
- Philipp Frank
  Mykonos Lightcodes #11, 2025
  Projection Mapping at Scorpios Mykonos
  Unique signed fine art print accompanied by matching digital companion (NFT).
  50 x 70 cm
  19 3/4 x 27 1/2 in
  
  "Mykonos Light Codes extends my ongoing artistic practice of working with natural stone as a resonant surface. I was invited to develop a site-specific light work for Scorpios in Mykonos — a landscape defined by strong geological formations and an intense social atmosphere. My broader concept, explored in the series Stone Portals, centers on revealing latent structures within natural matter. I approach rock not as a backdrop, but as a carrier of time, tension and embedded memory. Through projection mapping, I activate these surfaces using five-minute moving light sequences that follow their physical logic — cracks, layers, textures and irregularities. In Mykonos, the task was to translate this language into a new context. The environment differed from the remote landscapes I often work in: wind, music and constant activity shaped the conditions. I moved through the site searching for freestanding, sculptural rock forms and surfaces that could hold the work visually and conceptually. Each intervention was created directly on location at dusk and existed only temporarily. From many recorded sequences and variations, 21 works were distilled into a deliberate one-of-one print edition. Each image is extracted from a live projection sequence and captures a singular, unrepeatable moment within that time-based process. The edition marks my first translation of ephemeral light interventions into a fixed, collectible form. At the core of the project lies a consistent idea within my practice: light reveals what time transforms. Mykonos Light Codes applies this principle to a new terrain, preserving brief perceptual shifts as physical traces." - Philipp Frank
  
  Philipp Frank, Mykonos Lightcodes #11, 2025
  
  Sold
  
  £ 4,275.00
- Jang Yeonjeong (Forside)
  Digital Sublime Flora: Frozen Bloom II, 2026
  4K UHD Video
  Resolution: 2160 × 3840 (9:16)
  Duration: 40 seconds
  Frame Rate: 30fps
  Codec: H.264 (MP4)
  Audio: Stereo AAC, 48kHz
  
  Digital Sublime Flora is a body of work inspired by the idea of a landscape that exists after nature has stopped functioning as a living system. Rather than depicting plants as biological entities, this work focuses on the structures, rhythms and spatial sensations that remain once growth, decay, and ecological cycles are suspended. The series explores how botanical forms can persist as visual and spatial states without narrative progression. There is no blooming, no climax, and no transformation toward resolution. Instead, the work presents a condition of sustained presence—where motion exists as continuity rather than change. Using generative and image-based systems, I construct environments that resemble gardens or archives, yet do not follow natural hierarchy. No single form dominates the space. Elements coexist through balance, repetition, and subtle internal movement, creating a field where the viewer’s perception gradually shifts from observing objects to inhabiting space.The curatorial focus of this work lies in redefining the sublime not as spectacle or excess, but as quiet immersion. The sense of sublimity emerges through scale, depth, and duration—by allowing viewers to remain within a spatial condition long enough for perception to slow down. Digital Sublime Flora proposes a speculative but restrained ecosystem:a digital landscape that does not grow or disappear, but remains. It is an attempt to imagine how nature might be remembered, reorganised, and experienced in a time when its original logic can no longer be taken for granted.
  
  Enquire
  
  %3Cdiv%20class%3D%22artist%22%3EJang%20Yeonjeong%20%20%28Forside%29%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EDigital%20Sublime%20Flora%3A%20Frozen%20Bloom%20II%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2026%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3E4K%20UHD%20Video%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3EResolution%3A%202160%20%C3%97%203840%20%289%3A16%29%3Cbr/%3E%0ADuration%3A%2040%20seconds%3Cbr/%3E%0AFrame%20Rate%3A%2030fps%3Cbr/%3E%0ACodec%3A%20H.264%20%28MP4%29%3Cbr/%3E%0AAudio%3A%20Stereo%20AAC%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E48kHz%3Cbr/%3E%0A%3Cbr/%3E%0ADigital%20Sublime%20Flora%20is%20a%20body%20of%20work%20inspired%20by%20the%20idea%20of%20a%20landscape%20that%20exists%20after%20nature%20has%20stopped%20functioning%20as%20a%20living%20system.%20Rather%20than%20depicting%20plants%20as%20biological%20entities%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ethis%20work%20focuses%20on%20the%20structures%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Erhythms%20and%20spatial%20sensations%20that%20remain%20once%20growth%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Edecay%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eand%20ecological%20cycles%20are%20suspended.%20The%20series%20explores%20how%20botanical%20forms%20can%20persist%20as%20visual%20and%20spatial%20states%20without%20narrative%20progression.%20There%20is%20no%20blooming%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eno%20climax%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eand%20no%20transformation%20toward%20resolution.%20Instead%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ethe%20work%20presents%20a%20condition%20of%20sustained%20presence%E2%80%94where%20motion%20exists%20as%20continuity%20rather%20than%20change.%20Using%20generative%20and%20image-based%20systems%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3EI%20construct%20environments%20that%20resemble%20gardens%20or%20archives%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eyet%20do%20not%20follow%20natural%20hierarchy.%20No%20single%20form%20dominates%20the%20space.%20Elements%20coexist%20through%20balance%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Erepetition%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eand%20subtle%20internal%20movement%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ecreating%20a%20field%20where%20the%20viewer%E2%80%99s%20perception%20gradually%20shifts%20from%20observing%20objects%20to%20inhabiting%20space.The%20curatorial%20focus%20of%20this%20work%20lies%20in%20redefining%20the%20sublime%20not%20as%20spectacle%20or%20excess%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ebut%20as%20quiet%20immersion.%20The%20sense%20of%20sublimity%20emerges%20through%20scale%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Edepth%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eand%20duration%E2%80%94by%20allowing%20viewers%20to%20remain%20within%20a%20spatial%20condition%20long%20enough%20for%20perception%20to%20slow%20down.%20Digital%20Sublime%20Flora%20proposes%20a%20speculative%20but%20restrained%20ecosystem%3Aa%20digital%20landscape%20that%20does%20not%20grow%20or%20disappear%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ebut%20remains.%20It%20is%20an%20attempt%20to%20imagine%20how%20nature%20might%20be%20remembered%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ereorganised%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eand%20experienced%20in%20a%20time%20when%20its%20original%20logic%20can%20no%20longer%20be%20taken%20for%20granted.%3Cbr/%3E%0A%3C/div%3E
- Vladinsky
  Unstable, 2026
  Trying to Find the One Who Has Stolen My Talent originated from a vivid dream in September 2024, in which the artist felt an unsettling sense that their ideas did not fully belong to them. This experience sparked an investigation presented through forty-six oil portraits, each acting as potential suspects, witnesses, or fragments of evidence. Accompanied by a book and an AI-generated digital work, the installation explores authorship, creativity, and the blurred boundaries between human, machine, and viewer. As visitors engage with the work, they become part of the investigation themselves, ultimately suggesting that creativity may never belong to a single creator but is constantly shared, transformed, and reimagined.
  
  Enquire
  
  %3Cdiv%20class%3D%22artist%22%3EVladinsky%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EUnstable%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2026%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3ETrying%20to%20Find%20the%20One%20Who%20Has%20Stolen%20My%20Talent%20originated%20from%20a%20vivid%20dream%20in%20September%202024%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ein%20which%20the%20artist%20felt%20an%20unsettling%20sense%20that%20their%20ideas%20did%20not%20fully%20belong%20to%20them.%20This%20experience%20sparked%20an%20investigation%20presented%20through%20forty-six%20oil%20portraits%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eeach%20acting%20as%20potential%20suspects%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ewitnesses%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eor%20fragments%20of%20evidence.%20Accompanied%20by%20a%20book%20and%20an%20AI-generated%20digital%20work%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ethe%20installation%20explores%20authorship%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ecreativity%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eand%20the%20blurred%20boundaries%20between%20human%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Emachine%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eand%20viewer.%20As%20visitors%20engage%20with%20the%20work%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ethey%20become%20part%20of%20the%20investigation%20themselves%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eultimately%20suggesting%20that%20creativity%20may%20never%20belong%20to%20a%20single%20creator%20but%20is%20constantly%20shared%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Etransformed%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eand%20reimagined.%3C/div%3E
- Aiminath Sulthana
  Birds Blade, 2026
  Generative Light Installation (GLSL / Spatial Mapping)
  The ‘Birds Blade’ is a conceptual inquiry into the fragmentation of time and the fragility of presence. The central curatorial theme is 'Quantum Hopping'. In the quantum realm, particles can disappear from one location and reappear in another instantaneously. ‘Birds Blade’ applies this subatomic logic to a macroscopic, biological subject. By portraying a bird—a universal symbol of freedom and life—as a series of disconnected, high-velocity flashes, the work challenges the viewer's reliance on continuity. Thematically, the work explores the tension between the 'Structure' and the 'Spectral'. This duality mirrors the human experience of memory: we often remember the 'shine' or the feeling of a moment more vividly than the physical structure of the event itself.
  
  Enquire
  
  %3Cdiv%20class%3D%22artist%22%3EAiminath%20Sulthana%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EBirds%20Blade%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2026%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EGenerative%20Light%20Installation%20%28GLSL%20/%20Spatial%20Mapping%29%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3EThe%20%E2%80%98Birds%20Blade%E2%80%99%20is%20a%20conceptual%20inquiry%20into%20the%20fragmentation%20of%20time%20and%20the%20fragility%20of%20presence.%20The%20central%20curatorial%20theme%20is%20%27Quantum%20Hopping%27.%20In%20the%20quantum%20realm%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eparticles%20can%20disappear%20from%20one%20location%20and%20reappear%20in%20another%20instantaneously.%20%E2%80%98Birds%20Blade%E2%80%99%20applies%20this%20subatomic%20logic%20to%20a%20macroscopic%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ebiological%20subject.%20By%20portraying%20a%20bird%E2%80%94a%20universal%20symbol%20of%20freedom%20and%20life%E2%80%94as%20a%20series%20of%20disconnected%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ehigh-velocity%20flashes%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ethe%20work%20challenges%20the%20viewer%27s%20reliance%20on%20continuity.%20Thematically%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ethe%20work%20explores%20the%20tension%20between%20the%20%27Structure%27%20and%20the%20%27Spectral%27.%20This%20duality%20mirrors%20the%20human%20experience%20of%20memory%3A%20we%20often%20remember%20the%20%27shine%27%20or%20the%20feeling%20of%20a%20moment%20more%20vividly%20than%20the%20physical%20structure%20of%20the%20event%20itself.%3C/div%3E
- Defaced
  You Did So Well
  The work is a mixed-media piece combining live-action puppetry and digital animation. The artwork explores our relationship with virtual environments and how we use them as false surrogates for agency.
  
  Enquire
  
  %3Cdiv%20class%3D%22artist%22%3EDefaced%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EYou%20Did%20So%20Well%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EThe%20work%20is%20a%20mixed-media%20piece%20combining%20live-action%20puppetry%20and%20digital%20animation.%20The%20artwork%20explores%20our%20relationship%20with%20virtual%20environments%20and%20how%20we%20use%20them%20as%20false%20surrogates%20for%20agency.%3C/div%3E
(Larger version of this image opens in a popup).

(Larger version of this image opens in a popup).

(Larger version of this image opens in a popup).

(Larger version of this image opens in a popup).

(Larger version of this image opens in a popup).

(Larger version of this image opens in a popup).

(Larger version of this image opens in a popup).

(Larger version of this image opens in a popup).

Item added to cart

Digital Art Awards Private Sale Exhibition

Cookie preferences

Keep up-to-date with our Programme.