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  • Botto, Shadow Puppet Arsenal, Attention Economy, 2025 October #002
    Botto
    Shadow Puppet Arsenal, Attention Economy, 2025 October #002
  • Defaced, Organ Donor, 2026
    Defaced
    Organ Donor, 2026
    Organ Donor is a work that attempts to mirror a warped digital collective unconscious. Forms are skewed across a sterile white background, referencing the clean UIs of the platforms we inhabit. The artist sought to extract rawness from inherently sterile software; while working in Adobe Illustrator, the program repeatedly crashed under the volume of vector objects.
  • Emi Kusano, Echo Chamber of Care, 2026
    Emi Kusano
    Echo Chamber of Care, 2026
    AI Photography
    Set against the backdrop of an attention economy flooded with AI-generated content, this photographic series explores the polysemy of the word "model." The countless figures crowding these images, clad in standardiSed uniforms, offer smiles and attentive care. They embody the societal "role models" historically expected of women, while simultaneously acting as the literal "AI models" (training data) driving the system. In creating this work, Kusano built a custom AI model trained on her own face and body. The process of converting herself into data and directing her generated clones to perform endless labor embodies a contemporary reality: one where cuteness and attentiveness are stripped of personal identity, becoming mass-producible specifications.
    In Japanese subculture, "transformation" has long been an ambivalent act - simultaneously a symbol of empowerment for girls and an object of sexual consumption by the gaze of others. In this work, that act is coldly updated. It is no longer a magical miracle, but a harsh survival strategy: optimising oneself into an "ornament" evaluated by algorithms and public metrics simply to survive the system. This work confronts not a distant sci-fi future where AI replaces humans, but the reality of our present. It asks what "models" we are already learning and reproducing with our own bodies in our daily lives. Through overwhelming multiplicity, Kusano visualises the distortion of a society that consumes humans as vessels for data, sharply updating the art-historical discourse on the body and reproduction for the age of AI.
  • Emi Kusano, Altar of Attention, 2026
    Emi Kusano
    Altar of Attention, 2026
    AI Photography
    Set against the backdrop of an attention economy flooded with AI-generated content, this photographic series explores the polysemy of the word "model." The countless figures crowding these images, clad in standardiSed uniforms, offer smiles and attentive care. They embody the societal "role models" historically expected of women, while simultaneously acting as the literal "AI models" (training data) driving the system. In creating this work, Kusano built a custom AI model trained on her own face and body. The process of converting herself into data and directing her generated clones to perform endless labor embodies a contemporary reality: one where cuteness and attentiveness are stripped of personal identity, becoming mass-producible specifications.
    In Japanese subculture, "transformation" has long been an ambivalent act - simultaneously a symbol of empowerment for girls and an object of sexual consumption by the gaze of others. In this work, that act is coldly updated. It is no longer a magical miracle, but a harsh survival strategy: optimising oneself into an "ornament" evaluated by algorithms and public metrics simply to survive the system. This work confronts not a distant sci-fi future where AI replaces humans, but the reality of our present. It asks what "models" we are already learning and reproducing with our own bodies in our daily lives. Through overwhelming multiplicity, Kusano visualises the distortion of a society that consumes humans as vessels for data, sharply updating the art-historical discourse on the body and reproduction for the age of AI.
  • Simon Berger, Untitled, 2026
    Simon Berger
    Untitled, 2026
    Safety Glass Carved with Hammer
    150 x 150 cm
    59 x 59 in
  • Adam Martinakis, Natural Lines of Interaction, 2026
    Adam Martinakis
    Natural Lines of Interaction, 2026
  • Justin Aversano, Moments of the Unknown. 115, 2026
    Justin Aversano
    Moments of the Unknown. 115, 2026
    Super-8 film
    Aspect Ratio: 4:3
    Resolution: 2880 x 2160
    File Type: H.264 Codec / MP4
  • Jang Yeonjeong (Forside), Digital Sublime Flora: Frozen Bloom II, 2026
    Jang Yeonjeong (Forside)
    Digital Sublime Flora: Frozen Bloom II, 2026
    4K UHD Video
    Resolution: 2160 × 3840 (9:16)
    Duration: 40 seconds
    Frame Rate: 30fps
    Codec: H.264 (MP4)
    Audio: Stereo AAC, 48kHz
  • Aiminath Sulthana, Birds Blade, 2026
    Aiminath Sulthana
    Birds Blade, 2026
    Digital Light Installation
  • Ivona Tau, Untitled, 2026
    Ivona Tau
    Untitled, 2026
  • Mia Forrest, Orchids, 2026
    Mia Forrest
    Orchids, 2026
    Machine learning, brass, work on paper
  • Max Patté, Untitled, 2026
    Max Patté
    Untitled, 2026
    Monumental Piece
    400 x 200 cm
    157 1/2 x 78 3/4 in
  • Simon Berger, Untitled, 2026
    Simon Berger
    Untitled, 2026
    Safety Glass Carved with Hammer
    100 x 100 cm
    39 3/8 x 39 3/8 in
  • Julian Voss-Andreae, Onah , 2026
    Julian Voss-Andreae
    Onah , 2026
    Bronze
    (99 x 64 x 54 cm)
    39" x 25" x 21"
    Weight: 167 lbs (76 kg)
  • Maxim Wakultschik, The Gatekeeper of Light, 2026
    Maxim Wakultschik
    The Gatekeeper of Light, 2026
    Coloured Wood Sticks
    160 x 125 x 12.5 cm
    62.99 × 49.21 × 3.15 inches
  • Maxim Wakultschik, Whispers in the Linen Sky, 2026
    Maxim Wakultschik
    Whispers in the Linen Sky, 2026
    Coloured Wood Sticks
    160 x 125 x 12.5 cm
    63 x 49 1/4 x 4 7/8 in
  • Defaced, The Idea Institute's Video Guide to Finding an Idea, 2025
    Defaced
    The Idea Institute's Video Guide to Finding an Idea, 2025
    The work is a tongue-in-cheek exploration of the artist's own creative process, making the abstract workings of his inner world grounded and tangible through performance and puppetry. Set inside the artist's mind, the artist and his collaborators play the scrappy team of 'The Idea Institute', tasked with taming and extracting ideas personified as whimsical puppet characters, offering an affectionate and playful window into the private world of making.
  • Stephan Breuer, Untitled, 2025
    Stephan Breuer
    Untitled, 2025
  • ThankYouX, Take Me By The Hand, 2025
    ThankYouX
    Take Me By The Hand, 2025
    Acrylic, oil pastel and enamel on canvas
    168 x 147 cm
    66 1/8 x 57 7/8 in
  • Sarah Meyohas, Untitled, 2025
    Sarah Meyohas
    Untitled, 2025
    Pastel on paper
    132.1 x 96.5 cm
    52 x 38 in
  • Irem Bugdayci, Inference, 2025
    Irem Bugdayci
    Inference, 2025
    AI-based, generative moving image, developed through custom software and training workflows
  • Nicolas Sassoon, DOOR 62, 2025
    Nicolas Sassoon
    DOOR 62, 2025
    Digital animations, 64 frames, 32 colors
    2160x3840 pixels
  • Niceaunties, Mirror into Auntieverse, 2025
    Niceaunties
    Mirror into Auntieverse, 2025
    19th-century Napoleon III mirror transformed into a sculptural screen
  • Sasha Stiles, A Living Poem, 2025
    Sasha Stiles
    A Living Poem, 2025
    Immersive, evolving language environment and durational performance
  • Erick Calderon (Snowfro), LIFT (a self portrait), 2025
    Erick Calderon (Snowfro)
    LIFT (a self portrait), 2025
    1000 unique artworks
  • Ilhwa Kim, Cezannian Balance , 2025
    Ilhwa Kim
    Cezannian Balance , 2025
    Hand-dyed Hanji Paper
    119 x 93 x 13 cm
    46 7/8 x 36 5/8 x 5 1/8 in
  • Ilhwa Kim, Voice Quartet, 2025
    Ilhwa Kim
    Voice Quartet, 2025
    Hand-dyed Hanji Paper
    119 x 93 x 13 cm
    46 7/8 x 36 5/8 x 5 1/8 in
  • Anne von Freyburg, Patchwork Girl No. 1, 2025
    Anne von Freyburg
    Patchwork Girl No. 1, 2025
    Woven tapestry, sequin fabrics, metallic fabrics, pvc fabrics, wadding, hand- dyed fringes and hand stitching
    100 x 65 cm
    39 3/8 x 25 5/8 in
  • Jiménez Deredia, Magnetismo, 2025
    Jiménez Deredia
    Magnetismo, 2025
    Bronze
    29 x 40 x 27 cm
    11 3/8 x 15 3/4 x 10 5/8 in
  • Maxim Wakultschik, Sunlit Prism, 2025
    Maxim Wakultschik
    Sunlit Prism, 2025
    Coloured Wood Sticks
    120 x 100x 12.5 cm
    47.24 × 39.37 × 4.92 inches
  • Igor Dobrowolski, Unconditional Love, 2025
    Igor Dobrowolski
    Unconditional Love, 2025
  • Eser Gündüz, It hasn't fallen yet, 2025
    Eser Gündüz
    It hasn't fallen yet, 2025
    Mixed Media on Resin
    133 x 128 x 20 cm
    52 3/8 x 50 3/8 x 7 7/8 in
  • Ayobola Kekere-Ekun, Sacred Pet IV, 2025
    Ayobola Kekere-Ekun
    Sacred Pet IV, 2025
    Mixed Media (paper strips, fabric and acrylic on canvas)
    76 x 61 cm
    29 7/8 x 24 in
  • Ayobola Kekere-Ekun, Sacred Pet V, 2025
    Ayobola Kekere-Ekun
    Sacred Pet V, 2025
    Mixed Media (paper strips, fabric and acrylic on canvas)
    76 x 61 cm
    29 7/8 x 24 in
  • Ayobola Kekere-Ekun, Sacred Pet VI, 2025
    Ayobola Kekere-Ekun
    Sacred Pet VI, 2025
    Mixed Media (paper strips, fabric and acrylic on canvas)
    76 x 61 cm
    29 7/8 x 24 in
  • Ayobola Kekere-Ekun, Sacred Pet III, 2025
    Ayobola Kekere-Ekun
    Sacred Pet III, 2025
    Mixed Media (paper strips, fabric and acrylic on canvas)
    76 x 61 cm
    29 7/8 x 24 in
  • Lyès, Famiglia Celestina, 2025
    Lyès
    Famiglia Celestina, 2025
    Crystalite, Colour Pigments and Aluminium
    240 x 160 cm
    94 1/2 x 63 in
  • Lyès, Graceful Togetherness, 2025
    Lyès
    Graceful Togetherness, 2025
    Crystalite, Colour Pigments and Aluminium
    198 x 198 cm
    78 x 78 in
  • Lyès, Dolce Famiglia, 2025
    Lyès
    Dolce Famiglia, 2025
    Crystalite, Colour Pigments and Aluminium
    240 x 160 cm
    94 1/2 x 63 in
  • Lyès, Famille Céleste, 2025
    Lyès
    Famille Céleste, 2025
    Crystalite, Colour Pigments and Aluminium
    300 x 187.5 cm
    118 1/8 x 73 7/8 in
  • Lyès, Peaceful Family, 2025
    Lyès
    Peaceful Family, 2025
    Crystalite, Colour Pigments and Aluminium
    240 x 160 cm
    94 1/2 x 63 in
  • Lyès, Fraternité Céleste, 2025
    Lyès
    Fraternité Céleste, 2025
    Crystalite, Colour Pigments and Aluminium
    198 x 198 cm
    78 x 78 in
  • Lyès, Famille Royale, 2025
    Lyès
    Famille Royale, 2025
    Crystalite, Colour Pigments and Aluminium
    240 x 160 cm
    94 1/2 x 63 in
  • Lyès, Golden Family, 2025
    Lyès
    Golden Family, 2025
    Crystalite, Colour Pigments and Aluminium
    154 x 154 cm
    60 5/8 x 60 5/8 in
  • Lyès, Celestial Week, 2025
    Lyès
    Celestial Week, 2025
    Crystalite, Colour Pigments and Aluminium
    300 x 200 cm
    118 1/8 x 78 3/4 in
  • Simon Berger, Untitled, 2025
    Simon Berger
    Untitled, 2025
    Safety Glass Carved with Hammer
    100 x 100 cm
    39 3/8 x 39 3/8 in
  • Simon Berger, Untitled, 2025
    Simon Berger
    Untitled, 2025
    Safety Glass Carved with Hammer
    100 x 100 cm
    39 3/8 x 39 3/8 in
  • Simon Berger, Untitled, 2025
    Simon Berger
    Untitled, 2025
    Safety Glass Carved with Hammer
    100 x 100 cm
    39 3/8 x 39 3/8 in
  • Simon Berger, Untitled, 2025
    Simon Berger
    Untitled, 2025
    Safety Glass Carved with Hammer
    150 x 150 cm
    59 x 59 in
  • Simon Berger, Untitled, 2025
    Simon Berger
    Untitled, 2025
    Safety Glass Carved with Hammer
    150 x 150 cm
    59 x 59 in
  • Zak, I Remember You, 2025
    Zak
    I Remember You, 2025
    Mixed Media (Sculpted Fabric and Acrylic on Canvas)
    100 x 100 x 8 cm
    39 3/8 x 39 3/8 x 3 1/8 in
  • Zak, I am you, but you are not me, 2025
    Zak
    I am you, but you are not me, 2025
    Mixed Media (Sculpted Fabric and Acrylic on Canvas)
    120 x 120 x 10 cm
    47 1/4 x 47 1/4 x 4 in
  • Zak, Meet me at the end, 2025
    Zak
    Meet me at the end, 2025
    Mixed Media (Sculpted Fabric and Acrylic on Canvas)
    120 x 120 x 10 cm
    47 1/4 x 47 1/4 x 4 in
  • Maxim Wakultschik, Spirit in Bloom, 2025
    Maxim Wakultschik
    Spirit in Bloom, 2025
    Coloured Wood Sticks
    160 x 125 cm
    63 x 49 1/4 in
  • Maxim Wakultschik, Gleam of Silent Dream, 2025
    Maxim Wakultschik
    Gleam of Silent Dream, 2025
    Coloured Wood Sticks
    160 x 125 cm
    63 x 49 1/4 in
  • Zak, Kenny's Field, 2025
    Zak
    Kenny's Field, 2025
    Mixed Media (Sculpted Fabric and Acrylic on Canvas)
    100 x 100 x 8 cm
    39 3/8 x 39 3/8 x 3 1/8 in
  • Eser Gündüz, Welding at the quiet places, 2025
    Eser Gündüz
    Welding at the quiet places, 2025
    Mixed Media on Resin
    113 x 92 cm
    44 1/2 x 36 1/4 in
  • Jiménez Deredia, Sentido de Pertenencia, 2025
    Jiménez Deredia
    Sentido de Pertenencia, 2025
    Bronze
    66 x 58.4 x 52 cm
    26 x 23 x 20 1/2 in
  • Jiménez Deredia, Embrujo, 2025
    Jiménez Deredia
    Embrujo, 2025
    Bronze
    55 x 68 x 45 cm
    21 5/8 x 26 3/4 x 17 3/4 in
  • Jiménez Deredia, Genesis de Papagayo, 2025
    Jiménez Deredia
    Genesis de Papagayo, 2025
    Gold Bronze
    21.1 x 48 x 24.9 cm
    8 1/4 x 18 7/8 x 9 3/4 in
  • Li Jie, Lucky Day, 2025
    Li Jie
    Lucky Day, 2025
    Oil on canvas
    30 x 30 cm
    11 3/4 x 11 3/4 in
  • Camille Hannah, Blue, 2025
    Camille Hannah
    Blue, 2025
    Oil on plexiglass
    130.3 x 150.3 cm
    51 1/4 x 59 1/8 in
  • Li Jie, Dreamlike Summer, 2025
    Li Jie
    Dreamlike Summer, 2025
    Oil on canvas
    160 x 120 cm
    63 x 47 1/4 in
  • Li Jie, From/To Elsewhere, 2025
    Li Jie
    From/To Elsewhere, 2025
    Oil on canvas
    140 x 200 cm
    55 1/8 x 78 3/4 in
  • Li Jie, Hot Wind, 2025
    Li Jie
    Hot Wind, 2025
    Oil on canvas
    120 x 160 cm
    47 1/4 x 63 in
  • Li Jie, Ode to Joy, 2025
    Li Jie
    Ode to Joy, 2025
    Oil on canvas
    120 x 160 cm
    47 1/4 x 63 in
  • Li Jie, Paradise , 2025
    Li Jie
    Paradise , 2025
    Oil on canvas
    30 x 30 cm
    11 3/4 x 11 3/4 in
  • Li Jie, Sunset Glow, 2025
    Li Jie
    Sunset Glow, 2025
    Oil on canvas
    30 x 30 cm
    11 3/4 x 11 3/4 in
  • Lyès, The Celestial Symphony, 2025
    Lyès
    The Celestial Symphony, 2025
    Wall Sculpture, Crystalite, Colour Pigments and Aluminium
    450 x 1400 cm
    177 1/8 x 551 1/8 in
  • Maxim Wakultschik, Tavia, Gleams of Eternal Bloom, 2025
    Maxim Wakultschik
    Tavia, Gleams of Eternal Bloom, 2025
    Coloured wood sticks
    80 x 60 x 9cm
    31 1/2 x 23 5/8 in
  • Vladinsky, The One With the Crooked Smile, 2025
    Vladinsky
    The One With the Crooked Smile, 2025
    Oil on Canvas
    125 x 95 cm
    37 3/8 x 49 1/4 in
  • Vladinsky, Pink Background, 2025
    Vladinsky
    Pink Background, 2025
    Oil on Canvas
    125 x 95 cm
    49 1/4 x 37 3/8 in
  • Vladinsky, The Suspect Who Hid in Blue 2, 2025
    Vladinsky
    The Suspect Who Hid in Blue 2, 2025
    Oil on Canvas
    100 x 80 cm
    39 3/8 x 31 1/2 in
  • Vladinsky, Blue Letters, 2025
    Vladinsky
    Blue Letters, 2025
    Oil on Canvas
    82 x 82 cm
    32 1/4 x 32 1/4 in
  • Ilhwa Kim, Birth of Emotion, 2025
    Ilhwa Kim
    Birth of Emotion, 2025
    Acrylic and Paper
    162 x 130 cm
    63 3/4 x 51 1/8 in
  • Ilhwa Kim, Cezannian Posture, 2025
    Ilhwa Kim
    Cezannian Posture, 2025
    Acrylic and Paper
    182 x 150 cm
    71 5/8 x 59 in
  • Ilhwa Kim, The Last Pianism, 2025
    Ilhwa Kim
    The Last Pianism, 2025
    Acrylic and Paper
    162 x 130 cm
    63 3/4 x 51 1/8 in
  • Anne von Freyburg, Patchwork Girl No. 2 , 2025
    Anne von Freyburg
    Patchwork Girl No. 2 , 2025
    Edition #1 of 8
    Tapestry Collage: tapestry, sequin fabric, metallic fabric, pvc fabric, polyester wadding, hand dyed fringes and hand stitching on woven tapestry.
    100 x 65 cm
    39 3/8 x 25 5/8 in
  • Ilhwa Kim, Geographic Coupling, 2025
    Ilhwa Kim
    Geographic Coupling, 2025
    Hand-dyed Hanji Paper
    187 x 244 x 13 cm
    73 5/8 x 96 x 5 1/8 in
  • Ilhwa Kim, Decisive Choice, 2025
    Ilhwa Kim
    Decisive Choice, 2025
    Hand-dyed Hanji Paper
    164 x 132 x 13 cm
    64 5/8 x 52 x 5 1/8 in
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