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BranMorpho Origami , 2025A deactivated AK-47 embellished with real preserved butterflies and origami butterflies crafted from dollar bills.
The piece includes hand-made glass bullets containing symbolic materials.
It is displayed on a matte white base and encased in a clear acrylic display cabinet30.5 x 121.9 cm
12 x 48 in -
Gordon CheungTulip Futures 01 (SAVAGE) , 2024Midjourney, Krea and Photoshop; Print: Giclée on Hahnemühle Photo Rag
‘Tulip Futures’ reflects on the history of capitalism and its relationship with modernity. AI is used to create images of Dutch Golden Age tulips over 370 years ago in reference to what is considered to be the birth of Modern Capitalism and the first recorded economic bubble called Tulipmania. The works are set within a ‘vaporwave’ landscape: an internet art movement that emerged in the early 2010s known for its nostalgic and sometimes ironic commentary on consumerism, capitalism, and the digital age. The artwork is a physical print and also digital art on the blockchain. Bitcoin epitomises blockchain technology, a pillar of the fourth industrial revolution and was disparagingly referred to as a Tulip bubble by the traditional centralised bankers. By leveraging AI tools, "Tulip Futures" invites a philosophical contemplation of the nature of reality, perception, and economy in an increasingly digitized world. It offers an imaginative framework to critically engage with the intersections of history, technology, and human experience, fostering a deeper understanding of the human complexities inherent in our collective pursuit of meaning and prosperity. Reflecting on how our understanding of the future landscape is influenced by past events and present technologies. It can also signify existentially a landscape devoid of meaning or purpose, ecological degradation, dystopian societal collapse, technological dominance, and epistemological uncertainty. It prompts contemplation on the challenges of human knowledge and the choices we make in shaping our future.Digital: 33.18 x 59.4 cm, 13.06 x 23.39 in
Print: 59.4 x 41.9 cm, 23 1/2 x 16 1/2 in
Print Framed: 63.2 x 45.7 cm, 25 x 18 in -
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Joseph KlibanskyTree of Life Triptych, 2024A collection of 1000 unique digitally painted fine art prints with a matching digital companion, each with its own set of unique traits, ensuring that every artwork is truly one-of-a-kind.61 x 81 cm
24 x 31 7/8 in -
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BranLost Innocence, 2025A deactivated AK-47 embellished with resin hundreds and thousands and resin love heart sweets.
The piece includes hand-made glass bullets containing symbolic materials.
It is displayed on a matte white base and encased in a clear acrylic display cabinet.119.4 x 29.2 x 61 cm
47 x 11 1/2 x 24 in
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Joseph KlibanskyVillains In My Head, 2019Acrylic paint, canvas, screen print ink, wood and aluminium frame65 x 85 x 5 cm
25 5/8 x 33 1/2 x 2 in -
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Bran‘Aurum Geminus’, 2021Two decommissioned mounted AK-47’s, real butterflies, and symbolic filled bullets.
93.8 x 79.9 x 15.5 cm
36 7/8 x 31 1/2 x 6 1/8 in -
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Gordon CheungFear And Greed, 2021Double walled clamshell box with supporting plinth, stamped in gold on the spine and front cover, covered in orange Italian Cialux bookcloth, all linked in turquoise Colorplan paper containing 10 Archival inkjet prints on Epson Hot Press Bright Fine Art Paper 300gsm
Edition of 10 plus 5 artist's proofs62.2 x 44.5 x 3.8 cm
24 1/2 x 17 1/2 x 1 1/2 in -
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