-
-
-
-
-
-
-
-
-
-
-
-
DeeKayHands of Time, 202430 Second Animation
I’m heavily influenced by the retro games I used to play as a kid. The happiness I felt back then is still unmatched, even now as an adult. I’m doing my best not to grow up—trying to stay connected to that childlike state where imagination and dreams are limitless. The joy I had as a kid, drawing purely for fun—that’s the feeling I aim to preserve as an adult. My art is about embracing inner child happiness while navigating the world we live in today.2160x3840 (portrait) -
Gordon CheungTulip Futures 01 (SAVAGE) , 2024Midjourney, Krea and Photoshop; Print: Giclée on Hahnemühle Photo Rag
‘Tulip Futures’ reflects on the history of capitalism and its relationship with modernity. AI is used to create images of Dutch Golden Age tulips over 370 years ago in reference to what is considered to be the birth of Modern Capitalism and the first recorded economic bubble called Tulipmania. The works are set within a ‘vaporwave’ landscape: an internet art movement that emerged in the early 2010s known for its nostalgic and sometimes ironic commentary on consumerism, capitalism, and the digital age. The artwork is a physical print and also digital art on the blockchain. Bitcoin epitomises blockchain technology, a pillar of the fourth industrial revolution and was disparagingly referred to as a Tulip bubble by the traditional centralised bankers. By leveraging AI tools, "Tulip Futures" invites a philosophical contemplation of the nature of reality, perception, and economy in an increasingly digitized world. It offers an imaginative framework to critically engage with the intersections of history, technology, and human experience, fostering a deeper understanding of the human complexities inherent in our collective pursuit of meaning and prosperity. Reflecting on how our understanding of the future landscape is influenced by past events and present technologies. It can also signify existentially a landscape devoid of meaning or purpose, ecological degradation, dystopian societal collapse, technological dominance, and epistemological uncertainty. It prompts contemplation on the challenges of human knowledge and the choices we make in shaping our future.Digital: 33.18 x 59.4 cm, 13.06 x 23.39 in
Print: 59.4 x 41.9 cm, 23 1/2 x 16 1/2 in
Print Framed: 63.2 x 45.7 cm, 25 x 18 in -
Cem Sonel and Ramazan CanAs if it’s not your home, 2024Carpet, HD-D35 controller, P10 LED panel, computer codes, stainless steel
The 2024 collaborative installation As If It’s Not Your Home by Ramazan Can and Cem Sonel explores memory, belonging, and the fluidity of time at the intersection of tradition and modernity. Crafted with woven carpet, an HD-D35 controller, a P10 LED panel, and computer code, this work (8.5 x 144 x 320 cm) delves into the layers of collective memory and the dislocating effects of the contemporary world. By merging the tangible heritage of the past with the digital pulse of the future, it creates a timeless dialogue.
The conceptual foundation of the piece centers on reimagining the notion of home, both physically and emotionally. Ramazan Can’s woven carpet, inspired by the geometric motifs of Yörük culture, embodies the tangible legacy of the past and the familiarity of “home.” Its rhythmic patterns symbolize the permanence of cultural memory and the deep roots of belonging. In contrast, Cem Sonel’s P10 LED panel, driven by computer code and controlled by an HD-D35 controller, reflects the transient and fluid nature of the digital age. The pixelated surface of the LED panel reveals the shifting reality of the modern world, suggesting that home transforms from a fixed refuge into a sense of estrangement.
The title, As If It’s Not Your Home, points to the transience of nomadic life and the questioning of belonging. The tactile presence of the carpet juxtaposed with the cold glow of the LED panel highlights the tension between home and displacement. This contrast invites viewers to reflect on the modern world’s dislocating, ever-changing nature. The geometric order of the carpet and the algorithmic structure of the LED panel converge in a mathematical aesthetic, demonstrating the shared language of tradition and technology. Memory, in this context, is presented as both fixed and fluid: the carpet embodies the rooted stability of memories, while the LED illustrates their reshaping in the digital era.
The expansive scale of the work offers an immersive experience. Spanning 144 x 320 cm, the piece lies on the floor as both a physical and conceptual space. Viewers are drawn to question their own sense of belonging and memory, navigating a journey between the traces of the past and the possibilities of the future. As If It’s Not Your Home is not merely an installation but a reflective space that prompts a reconsideration of what home means and how it evolves.8,5h x 144w x 320d cm
3 3/8 x 56 3/4 x 126 in -
-
-
-
Zachary LiebermanRipple Study (Interference), 2024Javascript / Glsl
In this work, I am trying capture the feeling of light on water. I think there's something really profound about how impossible it is to recreate natural phenomenon with code. It's impossible to make something as beautiful as what you might see out in the world, but it's possible to try to express the feelings you have observing something beautiful. I try to bring those feelings into my work and images.
10098 × 12617 pixels -
-
Pindar Van ArmanReflection, 2024AI-Generated Mixed Media Painting Created by a Robotic System.
"MLuna Luna {Keith Haring Carousel} (GLB)"
Reviving the Magic: A Fantastical Fusion of Luna Luna’s Keith Haring Carousel and a Thrilling Amusement Park Dreamscape
//----------
Inspired by the legendary Luna Luna fairground of 1987, this artwork reimagines the vibrant, visionary spirit of André Heller’s “fairground of sensations.” At its heart lies MLow's 3D scan of Keith Haring’s iconic carousel, a centerpiece of the original Luna Luna, surrounded by towering, colorful roller coasters that twist and loop like the dreams of the artists who once brought the park to life. This piece captures the intersection of nostalgia and innovation, blending Haring’s bold, playful energy with the exhilarating rush of a modern amusement park. It’s a tribute to the “museum of the future” that Luna Luna aspired to be—a place where art, imagination, and joy collide in a spectacle for all to experience.
// MLow x Ambiguous30.5 x 30.5 cm
12 x 12 in -
Agoria{Σ Lumina} - The Convergence of Breath #7, 2024170 x 65 x 25 cm
32 x 32 in
Not for sale, accepting enquires for other works.
The 19th century witnessed the birth of modernity and a wave of bold artistic experimentation. One of the most significant confrontations to emerge during this time was Impressionism.
In that spirit, the Musée d’Orsay seeks to explore the connection between its historical collections and the emergence of new experimental art. As part of this initiative, titled Le Code d’Orsay, Agoria presents two works that resonate deeply with the museum’s legacy: the first, Σ Lumina, a highly poetic and immersive installation; and the second, Interprétation par saccharomyces cerevisiae de L’Atelier du peintre de Gustave Courbet, a piece that intimately bridges the realms of art and science.
The concept behind Σ Lumina is rooted in the creation of a poetic and participatory time portal—a bridge between the physical and digital, the past and the future. Inspired by the architectural presence and emotional weight of the Musée d’Orsay, the work aims to demystify digital art by inviting viewers into a personal, sensory experience of light, breath, and code. Activated by a simple, universal gesture—blowing into one’s phone—each visitor becomes a co-creator, generating a unique digital artwork derived from the museum’s collection of Impressionist masterpieces.
The title, meaning “Sum of Lights,” reflects the convergence of worlds: where organic gestures meet algorithmic systems, and classical art intersects with living technology. Created in collaboration with cabinetmaker Guilhem Huynh, and the artist Johan Lescure, Σ Lumina takes form as a monumental living sculpture, made with steel, and sets a new standard for exhibiting digital art. Σ Lumina has been selected by Emmanuel Macron as a reference to represent art and technology during the AI Summit held in Paris in February 2025.
Saccharomyces cerevisiae’s interpretation of Gustave Courbet’s L’Atelier du peintre extends this exploration of hybridity and memory. Developed with a team of scientists, the work uses yeast (Saccharomyces cerevisiae) cultivated in a bioreactor, with its life cycle influenced by key historical events from Gustave Courbet’s life. This living data was then used to animate and reinterpret Courbet’s “L’Atelier du peintre”, turning the iconic painting into a generative, biological artwork. It questions ideas of conservation, transmission, and how artworks—and the histories they carry—can continue to evolve. In essence, the microorganisms become the artists, drawing their own version of Courbet’s world.
Both works reflect a curatorial vision rooted in blending disciplines: art and science, code and biology, personal memory and collective heritage. They challenge static perceptions of digital art and invite the audience into an intimate, interactive space—where blowing into a phone or observing living data becomes an act of creation. These works are tributes to the past, reinterpretations for the present, and speculative bridges to the future.
Live demo: https://o.agoria.dev/en -
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
Owen McAteerFragmented Perception, 2024ArtBlocks, NFT'Fragmented Perception' is an animated artwork born from a serendipitous coding error, transforming an unintended mistake into a piece of unexpected beauty. The artwork features an ordered grid of circles, fragmented in a disordered yet rhythmic dance that explores the balance between clarity and chaos.
-
Owen McAteerLightwaves, 2024Digital animation coded in JavaScript, showcasing a mesmerising wave of a million light points. This artwork symbolises unity and impermanence through its ever-changing light patterns, blending art with mathematics.Full video duration: 30 min 10 sec
-
-
-
-
-
-
-
-
-
-
-
David SheldrickB’ak'tun | Sheldrick x Paax, 20241/1 Unique NFT
AI generated video artwork that explores the rich mythology of the Maya civilization. Centered on the concept of the B’ak'tun from their ancient Long Count calendar, each cycle spans approximately 394 years and encompasses creation, transformation, and renewal. The Maya believed that each cycle concluded with powerful forces of destruction—fire, storms, and floods—that paved the way for new beginnings. B’ak’tun draws a parallel to our current era facing the impending global issues that tie us all together, and how artificial intelligence represents a transformative force leading us into the next cycle of human experience.
Drop date:
14 NOV 4PM CET 2024 -
-
-
-
-
Irem BugdayciFREQUENCIES | Frontiers, 2024by Irem Bugdayci and Lannka.
Frontiers is a series of 25 generative video artworks that explore how technology mediates and modulates our encounters with the natural world.
Using a custom AI workflow trained on real-world movement data, the series presents fluid-like landscapes that behave like accelerated living systems, constantly shifting and evolving. These environments move beyond static depictions, drawing viewers into a layered experience of continuous motion and transformation. Frontiers prompts reflection on how technologies shape our perception of the environment, highlighting the interplay between human experience and machine-driven interpretations of reality. -
-
KLSRFrequencies | Code-S , 2024Code-S is an audio visual Collaboration between Klsr + Rodriguez Jr. exploring abstract environments and sonic textures. The artwork here uses audio reactive systems to visualize various sonic elements created by Rodriguez Jr., and each piece explores a different environment that aims to evoke a feeling of nostalgia and exploratory intrigue.
24 Unique Digital Artworks
Digital art and musical frequencies are both expressions of creativity that harness the power of technology and abstract patterns to evoke emotion and transform experiences. These frequencies and patterns, whether auditory or visual, resonate with human perception in ways that can deeply move us.
FREQUENCIES brings together some of the most exciting names in electronic music co-creating with pioneering digital and Ai artists.
-
-
Page
4
of 20
