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KLSRFrequencies | Code-S #10 , 2024‘Code-S’ is an audiovisual collaboration between artist KLSR and producer Rodriguez Jr., exploring abstract environments and sonic textures. Utilizing audio reactive systems, the resulting artworks visualize various sonic elements created by Rodriguez Jr., conjuring unique environments that aim to evoke feelings of nostalgia and exploratory intrigue.
24 Unique Digital Artworks
With KLSR’s dynamic and vibrant style meeting the emotive, progressive touch of Rodriguez Jr, this collaboration explores the more atmospheric and nuanced side of electronic music. Their partnership results in a deep and evocative musical experience, pushing boundaries while remaining grounded in the essence of dance music. -
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Sougwen ChungBODY MACHINE (Meridians), 2024The collection GENESIS II: BODY MACHINE (MERIDIANS) by Sougwen Chung is a series of biomimetic robotic speculations sculpted in air. These works are created using custom training models and spatial technologies, where gestural lines are suspended and scale is a permeable medium. The artist captures these lines using gestural VR and motion capture, which are then reimagined as 'Machine Meridians.' This Meridian data represents the body as a generative system.
BODY MACHINE (MERIDIANS) includes a collection of 168 unique generative artworks, each accompanied by movement data and a matching signed Giclee 60x60cm print.
Including packing with insurance and shipping door to door
Dispatched within 14 days from payment60 x 60 cm
23 5/8 x 23 5/8 inCollection of 168 unique NFTs with matching Signed Print -
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Shirin AbediniradReflective Journey, 2024*Reflective Journey VR: An immersive virtual reality experience, viewable by visitors using VR goggles. This project invites viewers to engage deeply with the themes of reflection and self-discovery in a fully immersive environment.Virtual Land Art +
NFT
(Unique Work) -
NiceauntiesAuntlantis: Day In the Life Of , 2024AI Video Animation
Sound design by Niceaunties, AI generated music by Niceaunties
Auntlantis is a digital video series within the Auntieverse, an ongoing speculative world-building project by Niceaunties that reimagines ageing, consumerism, environmentalism, and cultural identity through AI-driven storytelling, satire, and social commentary. The Auntieverse presents alternative futures where aunties—figures often overlooked or stereotyped—exist beyond societal expectations, navigating surreal economies, speculative cities, and imagined ecologies.
Within this broader universe, Auntlantis emerges as a distinct conceptual location, a parallel reality where the environmental consequences of overconsumption and pollution have created an aquatic world transformed by human waste. Here, aunties become unlikely caretakers, cleaning up oceans filled with discarded materials while engaging with plastic-infused marine life and navigating surreal industrial waterscapes.
Auntlantis: A Speculative World of Ocean Waste and Human Impact
Inspired by Plato’s Atlantis and the Great Pacific Garbage Patch, Auntlantis is a response to the increasing commodification of nature, mass production, and the tension between human ingenuity and ecological destruction. The series explores themes of overconsumption, adaptation, and the normalization of environmental collapse, portraying a world where ocean plastics have not just polluted the water but have become fully integrated into marine life, architecture, and daily existence.
Originally developed as a three-part series in 2024, Auntlantis has since expanded into a five-part narrative (2024–2025), each episode serving as a commentary on the cyclical nature of waste, the illusion of sustainability, and humanity’s passive acceptance of ecological decline.
The Five Episodes of Auntlantis
Each episode presents a distinct visual and conceptual narrative, exploring different aspects of pollution, adaptation, and the consequences of unchecked consumption:
Sweeping the Floor – Aunties clean plastic waste from beaches and the ocean floor, but the effort is endless—new waste always returns. A metaphor for the Sisyphean struggle of environmental cleanup efforts.
Workshop – Inside an industrial repurposing plant, waste is processed, transformed, and rebranded, questioning the effectiveness of recycling in a system driven by mass production.
A Day in the Life Of – Set in a world where plastic waste has been fully integrated into daily life, aunties shop at the Jelly Outlet Malls, commute on conveyor belts of discarded goods, and exist in an ecosystem that has adapted to artificial materials.
Trashy Friends – A reflection on microplastic consumption, where creatures unknowingly ingest waste and gradually transform into hybrid synthetic beings, mirroring the contamination of real marine life.
Vacation – Aunties indulge in a surreal vacation landscape made entirely of synthetic materials, lounging on plastic beaches and floating in jelly pools, unaware—or indifferent—to the irony of their surroundings.
Artistic and Conceptual Approach
Through a blend of humour, dystopian surrealism, and environmental critique, Auntlantis presents a world where plastic is no longer waste, but a material reality. The aunties, in their playful yet unsettling roles, embody the contradictions of care and complicity, action and inaction, illustrating how societies adapt to environmental crises rather than preventing them.
Recurring motifs include:
Water & Plastic Hybrids – Visualizing the irreversible entanglement of pollution and marine ecosystems.
Repetitive Labour & Automation – Aunties working tirelessly to "fix" the problem while remaining part of the system perpetuating it.
Tourism & Consumerism – The repackaging of environmental damage into marketable, sanitized experiences.
Auntlantis Within the Auntieverse
As part of the broader Auntieverse, Auntlantis expands the project’s exploration of feminine labour, social structures, and speculative futures. Unlike other Auntieverse works, which focus on urban speculation, Auntlantis submerges aunties into an ecological dystopia, where they perform both acts of care and passive acceptance, questioning how humanity collectively responds to environmental disasters.
Conclusion: Why This Work Matters
Auntlantis presents an allegorical future, where the consequences of overproduction and waste culture are not just external threats but fully integrated into daily life. Through AI-generated visuals, narrative world-building, and critical humour, the work challenges viewers to rethink their own roles in consumption, sustainability, and environmental action.
By embedding playful absurdity within urgent social critique, Auntlantis disrupts conventional conversations around climate change, offering a speculative yet eerily familiar world where plastic has outlived the natural world—and where adaptation, rather than prevention, has become the norm. -
Shirin AbediniradReflective Journey, 2024*Reflective Journey Video: A video installation that will be displayed on a TV screen or a large projection, accompanied by sound. This piece extends the themes explored in the VR and photographic elements, providing a dynamic, auditory, and visual exploration of the journey.
Video digital + NFT
duration 00:30:00
(Unique work) -
Emily XieCresting Figure, 2024Digital Collage, Algorithmic Techniques and Textures with Javascript, Generative AI for Compositional Assets
"Cresting Figure" is a mixed digital media work that explores the space between abstraction and figuration, evoking a sense of movement, transformation, and cultural memory. The piece draws heavily from the visual traditions of Chinese embroidery: ornate detail, vibrant color palettes, and intricate patterns. It reinterprets these elements through the lens of contemporary digital practice. By integrating hand collage with algorithmic generation and AI-driven tools, the work becomes a layered synthesis of the traditional and the technological.
At its core, Cresting Figure reflects a dialogue between past and present. The embroidery-inspired patterns are not merely decorative; they serve as markers of cultural heritage, a practice once hand-stitched with intention and meaning. In this work, those motifs are fragmented and reassembled through digital processes. As these visual elements are recontextualized, a tension emerges—between rootedness and reinvention, tradition and transformation. Cresting Figure navigates a landscape of visual hybridity and layered histories, where inherited forms are continuously reshaped in contemporary expression.
The use of AI in this piece is not intended to depersonalize the creative process, but rather to extend it—echoing the collective, often anonymous labor behind traditional textile works. The process began with the generation of a wide array of images using AI, each one containing fragments of possibilities. Bits and pieces from these images were then digitally collaged to form a new visual foundation. This composite was subsequently run through custom JavaScript algorithms, introducing further layers of transformation. Though this step was algorithmic, the process remained tightly directed—shaped to yield specific juxtapositions and patterns that deepen the composition. The digital medium opens space for reimagining texture and form, where the known is refracted into something newly strange.6600 x 11000 pixels
53.3 x 88.9 cm
21 x 35 in -
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Random InternationalStudy of Tomorrow Variation 3, 2024Signed Giclée Prints Edition of 150.
Pigment on 100% Archival Cotton Fine Art Paper (unframed).42 x 60 cm
16 1/2 x 23 5/8 in -
Random InternationalStudy of Tomorrow Variation 2, 2024Signed Giclée Prints Edition of 150.
Pigment on 100% Archival Cotton Fine Art Paper (unframed).42 x 60 cm
16 1/2 x 23 5/8 in -
Random InternationalStudy of Tomorrow Variation 1 , 2024Signed Giclée Prints Edition of 150.
Pigment on 100% Archival Cotton Fine Art Paper (unframed).42 x 60 cm
16 1/2 x 23 5/8 in -
Random InternationalStudy of Tomorrow Triptych, 2024Post digital art group Random International experiments with the human, emotional response to the encounter with artificial intelligence in this new, multifaceted body of work. Exploring different properties of the intelligence and how it can be viewed by the human eye, the collection spans three categories: ‘Mass’, ‘Spectrum’ and ‘Dimension’.Signed Giclée Prints Edition of 150, Pigment on 100% Archival Cotton, including 3 Unique Generative Animations (60 seconds long) from an exclusive collection of 450
Each: 42 x 60 cm
16 1/2 x 23 5/8 in
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Max PattéLINEAR HORIZON — PINK LAKE III, 2024Plexiglass, epoxy resin, acrylic paints, ACM, MDF, aluminium, 2k paint242 x 93 x 6 cm
95 1/4 x 36 5/8 x 2 3/8 in -
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