Phillips Auctions Hong Kong | SPACES II: in partnership with HOFA Gallery

MAR 27 - 30
  • PHILLIPS HK | SPACES II

    Capturing the Ephemera

     

     

  • Exhibition Highlights:

    Tyler Hobbs, Careless and Well-Intentioned #3, 2022
    Tyler HobbsCareless and Well-Intentioned #3, 2022

    • LOCATION

      Phillips Hong Kong
      G/F, WKCDA Tower
      West Kowloon Cultural District
      No. 8 Austin Road West
      Hong Kong (map)

       

    • Private VIEW

      27 March

      11am - 7pm

      Private view times: 6pm - 8pm
      27 March - 15 April (closed 4 April)
      10am -6pm

    • CONTACT: Elio D'anna

  • Maja Petrić, Specimens of Time, Hoh Rain Forest, 2024
    Maja PetrićSpecimens of Time, Hoh Rain Forest, 2024

     SPACES II: Capturing the Ephemera, presented by HOFA Gallery and PhillipsX, explores new artistic and technological frontiers, expanding on the themes introduced in the inaugural SPACES exhibition in London during Frieze Week 2024. This latest installment, taking place during Hong Kong Art Week 2025, reflects further on the intersection of art, technology and impermanence.
  • Yawanawa & Refik Anadol, Winds of Yawanawa #882, 2023
    Yawanawa & Refik AnadolWinds of Yawanawa #882

    Featuring works by seven visionary artists; Refik Anadol, Sougwen Chung, Random International, Tyler Hobbs, Addie Wagenknecht, Gina Choy and Maja Petrić, the selling exhibition examines how technology can capture, preserve and transform fleeting moments into enduring artistic expressions.
  • Sougwen Chung, Body Machine (Meridians) - Fourth Phase of Water (Glacial Biome series), 2025
    Sougwen ChungBody Machine (Meridians) - Fourth Phase of Water (Glacier Biome series)

    SPACES is an innovative series of exhibitions that confronts the profound challenges and possibilities presented by computing technologies and their impact on human experience. The first edition, launched at Phillips London in 2024, explored the dynamic interplay between AI, generative art and digital creativity.

    SPACES II examines how technology can give form to the impermanent, whether through environmental shifts, generative processes, or the fluidity of human perception and memory. The selling exhibition will showcases a diverse array of works, including immersive installations, generative digital art, algorithmic designs and contemporary mixed-media pieces.

  • Exhibited Works:
    • Sougwen Chung Body Machine (Meridians) - Glacial Biome Series, 2025 Digital - Screen Required
      Sougwen Chung
      Body Machine (Meridians) - Glacial Biome Series, 2025
      Digital - Screen Required
    • Sougwen Chung Body Machine (Meridians) - Glacial Biome Series, 2025 Digital - Screen Required
      Sougwen Chung
      Body Machine (Meridians) - Glacial Biome Series, 2025
      Digital - Screen Required
    • Sougwen Chung Body Machine (Meridians) - Fourth Phase of Water (Glacial Biome series), 2025 Digital - Screen Required
      Sougwen Chung
      Body Machine (Meridians) - Fourth Phase of Water (Glacial Biome series), 2025
      Digital - Screen Required
    • Yawanawa & Refik Anadol Winds of Yawanawa #882, 2023 Unique Generative Ai MP4 video | 60 second loop with soundtrack Including unique signed archival print (framed)
      Yawanawa & Refik Anadol
      Winds of Yawanawa #882, 2023
      Unique Generative Ai MP4 video | 60 second loop with soundtrack Including unique signed archival print (framed)
    • Maja Petrić Glimpse, We The Light, 2025 Optical film, OLED screen, microcomputer, metal frame (Wall-mounted video piece) 127 x 76.2 x 5.08 cm 50 x 30 x 2 in
      Maja Petrić
      Glimpse, We The Light, 2025
      Optical film, OLED screen, microcomputer, metal frame
      (Wall-mounted video piece)
      127 x 76.2 x 5.08 cm
      50 x 30 x 2 in
    • Maja Petrić Vespers, We The Light, 2025 Lenticular print, aluminum frame, cleat 117 x 173 x 2.5 cm 46 x 68 1/8 x 1 in
      Maja Petrić
      Vespers, We The Light, 2025
      Lenticular print, aluminum frame, cleat
      117 x 173 x 2.5 cm
      46 x 68 1/8 x 1 in
    • Maja Petrić Specimens of Time, Hoh Rain Forest, 2024 Optical filters, reflective materials, projectors, computer, metal hardware 54 x 68.5 x 54 cm 21 1/4 x 27 x 21 1/4 in
      Maja Petrić
      Specimens of Time, Hoh Rain Forest, 2024
      Optical filters, reflective materials, projectors, computer, metal hardware
      54 x 68.5 x 54 cm
      21 1/4 x 27 x 21 1/4 in
    • Random International Imagine Our Flock (Diptych), 2024 Synthetics, C Print on Composite, Coated 120 x 180 x 5 cm 47 1/4 x 70 7/8 x 2 in
      Random International
      Imagine Our Flock (Diptych), 2024
      Synthetics, C Print on Composite, Coated
      120 x 180 x 5 cm
      47 1/4 x 70 7/8 x 2 in
    • Random International Imagine Our Dance / II, 2024 Synthetics, C Print on Composite, Coated 81 x 60 x 5 cm 31 7/8 x 23 5/8 x 2 in
      Random International
      Imagine Our Dance / II, 2024
      Synthetics, C Print on Composite, Coated
      81 x 60 x 5 cm
      31 7/8 x 23 5/8 x 2 in
    • Tyler Hobbs Careless and Well-Intentioned #3, 2022 Generative Design, Non-Fungible Tokens 5:6
      Tyler Hobbs
      Careless and Well-Intentioned #3, 2022
      Generative Design, Non-Fungible Tokens
      5:6
    • Addie Wagenknecht Advance Directive, 2023 Intelligent banknote neutralisation system in UV and oil based paint 100 x 100 cm 39 3/8 x 39 3/8 in
      Addie Wagenknecht
      Advance Directive, 2023
      Intelligent banknote neutralisation system in UV and oil based paint
      100 x 100 cm
      39 3/8 x 39 3/8 in
    • Addie Wagenknecht Phase-I Trial, 2023 Intelligent banknote neutralisation system in UV and oil based paint (Unframed) 100 x 100 cm 39 3/8 x 39 3/8 in
      Addie Wagenknecht
      Phase-I Trial, 2023
      Intelligent banknote neutralisation system in UV and oil based paint
      (Unframed)
      100 x 100 cm
      39 3/8 x 39 3/8 in
    • Gina Choy Blue Cascade, 2025 Acrylic on Canvas 182.88 x 152.4 cm 72 x 60 in
      Gina Choy
      Blue Cascade, 2025
      Acrylic on Canvas
      182.88 x 152.4 cm
      72 x 60 in